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DataFut stated that Bruno Guimarães was the Brazilian with the most goal involvements in the Premier League since his arrival in the competition, with 57. According to the publication, he had scored 32 goals and provided 25 assists in 157 matches. https://t.co/btSmb4TtoD #PremierLeague #BrunoGuimarães #FutebolBrasileiro (translated)

Jaf used an insulting term towards the Spanish and presented Morocco as their “father,” claiming that Spain had suffered humiliations at the hands of Morocco over the last millennium and would always remain in a subordinate position. To support this claim, he cited the humiliation of Sagrajas in 1086, then the Ifni War in 1957, during which, according to him, Spain had sought the help of France. He also listed the battle of Consuegra — 1097, the battle of Uclés — 1108, the battle of Alarcos — 1195, the battles of Écija and Martos — 1275, the naval battle of Algeciras — 1278, the siege of Algeciras — 1278–1279, and the battle of Gibraltar — 1333. Jaf also mentioned the battle of the Three Kings (Oued al-Makhazin) — 1578, claiming that the Spaniards were then allied with the Portuguese in a crusade against Morocco sanctioned by the Pope. He continued with the battle of Barranco del Lobo — 1909, then several events from 1921: the fight of Abarrán, the siege of Igueriben, the battle of Anoual, the fight of Sidi Dris, the fall of Nador, the fall of Selouane, the fall of Zeluán, the surrender of Dar Quebdani, and the fall of Monte Arruit. Finally, he cited the fights of Tizi Azza — 1923, the Spanish retreat from Chefchaouen — 1924, and the Ifni War — 1957–1958. #Histoire #Maroc #Espagne (translated)

Denkjewel wrote that on that day the Alkmaar Liberation of 1573 was commemorated, during the Eighty Years' War. According to Denkjewel, the Spanish troops led by Alva's son Don Frederik had already been repelled three weeks earlier and had to finally retreat, soaked, after breaching the dikes. https://t.co/rc6W7ztT34 #AlkmaarsOntzet #TachtigjarigeOorlog #geschiedenis (translated)

Simone Pillon recalled the Battle of Lepanto, fought on October 7, 1571, describing it as a clash between Christians and Muslims. He wrote that the Holy League, composed of Austrians, Spaniards, Venetians, Lombards, Romagnols, Tuscans, Savoyards, Genoese, Sicilians, and Neapolitans, deployed under the command of Don John of Austria 6 galleasses and about 204 galleys. According to Pillon, the Turkish fleet of Ali Pasha consisted of 170-180 galleys, 20 or 30 galliots, and an unspecified number of xebecs and privateer brigs. Pillon reported that Pope Pius V had a premonition and prayed the rosary during the battle, while the Christian fighters received the Eucharist before setting sail. He wrote that, despite the Turkish numerical superiority and the initially favorable wind for the Ottomans, the direction of the wind changed, and the Holy League won. In his account, Pillon indicated that the Turks lost 80 galleys sunk and 117 captured, along with 27 galliots sunk and 13 captured; he added that 30,000 Turks were killed or injured, and 8,000 were taken prisoner. He also claimed that 15,000 Christians enslaved at the oars were freed. He said that Pius V dedicated the victory to Our Lady of the Rosary and that October 7 became the feast of the Rosary. Pillon finally wrote that, in his view, the Christian West was facing new battles, some already open, and hoped that they would be bloodless and victorious. He wondered if there were still strong men capable of protecting the lands and families. #Lepanto #Storia #Battaglie (translated)

Claudio Centa wrote that, after the victory of Lepanto on October 7, 1571, Pius V established the feast of Our Lady of the Rosary for that date. He added that the Venetian fleet was dedicated to Saint Justina, a Padua martyr celebrated on the same day, and mentioned Doge Alvise Mocenigo in relation to the commemoration of the victory. https://t.co/lrGbF0x9mU #Lepanto #MadonnadelRosario #Storia (translated)

The author described the European Commission’s release of €157 million for Moldova as “excellent news,” saying the funding was intended to support reforms under the new Growth Plan. They wrote that it would promote economic convergence and bring benefits to Moldovan citizens ahead of full accession. #Moldova #EU #EconomicGrowth #MD #EU

The author said Moldova was pursuing EU membership with determination and had made concrete progress on reforms. They wrote that €157 million had been released under the Growth Plan at the 10th Association Council to support roads, schools and job creation. https://t.co/l3RpyemXoM #Moldova #EUMembership #Reforms #MD #EU

Denkewel wrote that the Leiden Liberation was commemorated during the Siege of Leiden in 1574, in the Eighty Years' War. According to the author, a relief fleet could only enter the city after large-scale inundations had brought the water to the Spanish besiegers. https://t.co/ZidgLjKiDn #LeidensOntzet #TachtigjarigeOorlog #Geschiedenis (translated)

The champagne will pop at Kaouakibi's palace! 1,157,748 euros embezzled of which she only has to repay 24,000 euros.. And 30 months with postponement? No punishment at all then! Our justice system is rotten to the core! https://t.co/wEvtmi8375 #justitie #schandaal #corruptie (translated)

The report from GUS for the year 2025 reveals a dramatic decline in the population of Poland, with a loss of 157,000 people compared to the previous year, making it necessary to take action to counter the aging society and negative demographic trends. #demografia #ubytekludności #dzietność (translated)

IL TEATRO-EDICOLA (FRANCESCO GRAVINO) SU “LA STAMPA (SPECCHIO)”, “SIX CHAIRS AT THE TEATRO-EDICOLA” by FRANCESCA TAMBURRINO SOURCE: https://www.lastampa.it/specchio/rubriche/segue-buffet/2026/09/27/news/sei_sedie_al_teatro_-_edicola-15748967/ To the delight of lovers of the genre, the news is reassuring: theatres are back in fashion. Perhaps they had never gone out of fashion but were slightly tarnished by interest in other genres considered more contemporary. Wrong, theatre after millennia withstands wear and negativity reinvigorates it. Halls thought lost are reopening and new spaces are flourishing. Because theatre can be made anywhere, in houses, in streets, on the ashes of spaces born for other purposes. For example in newsstands: in many cities these kiosks sell everything except what they were conceived for, newspapers. The ingenious wheeze is to be found in the Foggia area with the Teatro-Edicola, the smallest theatre in the world, six chairs, less than two square metres, careful programming, performances every fifteen minutes and sold-out is easily guaranteed. A happy experiment that has intrigued even the noble journal of the American Stanford University. The wheeze from San Severo in the Foggia area pleased the students of Stanford so much that they made it a case study. The result was published in the “Stanford Social Innovation Review (SSIR)” quarterly journal and award-winning website given its specific specialisation in covering multisectoral solutions to global problems, considered one of the world reference points for social innovation. The article “The Six-Seat Revolution”, that is to say the Revolution of the Six Chairs, was curated by the Foggian (Orta Nova) researcher Luciano Magaldi Sardella, supervised by editor David V. Johnson and can be retrieved in the Dispatches section of the “Stanford Social Innovation Review”. Imagine the satisfaction of the theatre company Foyer 97 which sees itself projected into global fame and planetary interest, matured into a shower of requests for duplication. After all, who does not have a disused space in a state of abandonment to be recovered worthy of rising to a cultural garrison? Meanwhile the meritorious creators of the winning idea will return to the stage in October and are already preparing the thirtieth anniversary of the company which falls next year. On those six chairs, they assure us, young and old have sat in equal albeit meagre measure. An experiment which in the universe of entertainment is followed with attention. So much so that Biagio Antonacci made a surprise stop at the Teatro-Edicola where he sang his “Iris”. Passers-by in a huddle beyond the sold-out.

TEATRO-EDICOLA (FRANCESCO GRAVINO) SU “LA STAMPA (SPECCHIO)”, “SEI SEDIE AL TEATRO-EDICOLA” by FRANCESCA TAMBURRINO SOURCE: https://www.lastampa.it/specchio/rubriche/segue-buffet/2026/09/27/news/sei_sedie_al_teatro_-_edicola-15748967/ “SEI SEDIE AL TEATRO-EDICOLA" Per la gioia degli amanti del genere, la notizia è rassicurante: i teatri sono tornati di moda. Forse non erano mai passati ma lievemente appannati dall’interesse per altri generi ritenuti più contemporanei. Errore, il teatro dopo millenni regge all’usura e la negatività lo rinvigorisce. Become a Medium member Riaprono sale date per perse e nuovi spazi fioriscono. Perché il teatro si può fare ovunque, nelle case, nelle strade, sulle ceneri di spazi nati per altro. Per esempio nelle edicole: in molte città questi baracchini vendono di tutto fuorché ciò per cui furono pensate, i giornali. La trovata geniale la si scova nel foggiano con il Teatro-Edicola, il teatro più piccolo del mondo, sei sedie, meno di due metri quadrati, attenta programmazione, repliche ogni quindici minuti e il sold out è facilmente garantito. Un esperimento felice che ha incuriosito perfino la nobile rivista della statunitense Stanford University. La trovata della foggiana San Severo è piaciuta tanto agli allievi della Stanford, che ne hanno fatto un caso di studio. Il risultato è stato pubblicato sulla “Stanford Social Innovation Review (SSIR)” rivista trimestrale e sito web pluripremiato data la sua specializzazione specifica nella copertura di soluzioni multisettoriali ai problemi globali, considerata uno dei punti di riferimento mondiali per l’innovazione sociale. L’articolo “The Six-Seat Revolution”, vale a dire la Rivoluzione delle sei sedie, è stato curato dal ricercatore foggiano Luciano Magaldi sardella, supervisionato dell’editor David V. Johnson e si può recuperare nella sezione Dispatches della “Stanford Social Innovation Review”. Immaginarsi la soddisfazione della compagnia teatrale Foyer 97 che si vede proiettata nella fama globale e nell’interesse planetario, maturata in una pioggia di richieste di duplicazione. In fondo chi non ha uno spazio dismesso e in stato di abbandono da recuperare meritevole d’assurgere a presidio culturale? Intanto i benemeriti dell’idea vincente a ottobre torneranno in scena e già preparano il trentennale della compagnia che cade il prossimo anno. Su quelle sei sedie, loro assicurano, si sono seduti giovani e adulti in egual se pure striminzita misura. Un esperimento che nell’universo dello spettacolo viene seguito con attenzione. Tanto che Biagio Antonacci ha fatto tappa a sorpresa nel Teatro-Edicola dove ha cantato la sua “Iris”. Passanti in capannello oltre il sold out.