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Pavel Jechort wrote that the amounts by which, according to him, Andrej Babiš deprives public finances annually might rather reach tens than billions. According to him, the deficit of 400 billion explained why there is no money left for anything, and he accused Babiš of indebting the state at the expense of future generations so that he could steal. Jechort also praised the attached photograph again. https://t.co/erxhou61NN #politika #ekonomie #korupce (translated)

LETTERE MERIDIANE — IL TEATRO-EDICOLA DI SAN SEVERO CONQUISTA IL MONDO SOURCE: SOURCE: https://www.letteremeridiane.org/2026/10/il-teatro-edicola-di-san-severo-conquista-il-mondo/?fbclid=IwY2xjawU4oqFleHRuA2FlbQIxMQBwZG9mAXNydGMGYXBwX2lkEDIyMjAzOTE3ODgyMDA4OTIAAR5rVEwYs6UUXg7v-P0SyIQ_DRb_F6ZiY58OcseYoV4J7atcTiERnhWaqKM2pw_aem_Njle1jq1XLzHr93KLBUcVA Dopo Broadway World, Los Angeles Journal, The Psychologist (British Psychological Association) ed Hollywood Beat Magazine, ora è arrivata la sua “consacrazione accademica” a cura della Stanford University. Come ho già sottolineato nel mio articolo sulla rivincita del GIO Festival a Foggia, celebrata dal BroadwayWorld per la prima mondiale scenica della giordaniana Marina (1888), la provincia di Foggia ha smesso ormai di essere periferia. Accade quando trova un’idea che sposta le coordinate: ebbene, a San Severo, a 40 chilometri da Foggia, è successo di nuovo. Solo che questa volta non serviva un’orchestra, ma sono bastate sei sedie. Il celebre Teatro-Edicola del sanseverese direttore artistico Francesco Gravino della Compagnia Teatrale Foyer’97 è finito sulla rivista accademica Stanford Social Innovation Review (SSIR) in qualità di caso di studio accademico. La notizia, rilanciata il 19 settembre 2026 da ANSA Nazionale, sembrava un refuso. Poi si è capito che non lo era. La SSIR, pubblicazione pluripremiata che copre soluzioni multisettoriali ai problemi globali, ha inserito il progetto nella sezione Dispatches con il reportage The Six-Seat Revolution. È il percorso inverso rispetto a quello del GIO Festival: non un’opera dimenticata che torna in un grande teatro storico italiano a ferro di cavallo, ma un teatro intero che rinasce dentro un luogo dismesso, dimenticato dall’uomo. Ci sono momenti in cui il passato e il futuro si intrecciano per creare qualcosa di visionario, innovativo, artisticamente “rivoluzionario”: San Severo ha vissuto uno di questi momenti la mattina del 27 marzo 2026, durante la Giornata Mondiale del Teatro, quando la saracinesca di un’edicola chiusa da sei anni in Via Matteo Tondi è stata riaperta “non per vendere giornali, ma per offrire emozionanti storie”, citando il motto graviniano. L’idea del visionario Francesco Gravino (nella foto sopra), direttore artistico, regista e attore della compagnia sanseverese Foyer ’97, attiva da almeno 30 anni in Capitanata si è basata sull’edicola, esagonale in metallo e vetro, concessa a titolo gratuito dal proprietario Pino Frau, ormai un relitto urbano creato dalla crisi dell’editoria degli inizi anni 2000: oggi in Italia le edicole attive sono scese da circa 35.000 nel 2005 a circa 20.000 nel 2024, con un calo del 42,8%. Gravino e altri undici attori l’hanno ristrutturata in due settimane di lavoro, senza fondi istituzionali, e l’hanno trasformata in quello che oggi è sotto esame della commissione londinese del Guinness World Record come “teatro più piccolo del mondo”. La formula è volutamente austera: sei spettatori alla volta fuori, attori dentro a meno di un metro, spettacoli di 15 minuti, rotazione continua dalle 11 alle 20.45, testi da Goldoni a Čechov, da Ibsen a Dacia Maraini. Sulla porta un QR code con un originale avvertimento teatrale: “Attenzione! Questo codice QR trasforma i passanti in attori. Scansionate solo se pronti.” I numeri hanno sùbito detto che non era una boutade: più di 60 persone in un solo pomeriggio, tre giornate inaugurali che hanno registrato il tutto esaurito. Ma soprattutto un’eco positiva che è andata oltre i confini sanseveresi. BroadwayWorld (proprio come il previo caso del GIO Festival) la più influente testata mondiale di critica teatrale con oltre 5,5 milioni di visualizzazioni mensili, il 27 aprile 2026 gli ha dedicato una copertura esclusiva: An Abandoned Italian Newsstand Just Became the World’s Smallest Theatre. Non una segnalazione, ma un’analisi: “Non c’è foyer, non c’è balconata, non c’è graticcia. C’è a malapena una quinta. Quello che c’è è qualcosa di quasi irriconoscibile come serata a teatro, e proprio per questo è ancora più potente.” BroadwayWorld ha colto l’idea manifesto di Gravino: “Questo è un teatro di prossimità. In un’epoca di distanza digitale, stiamo rimettendo il contatto umano al centro,” incorniciandolo come “Più che un abile esercizio di teatro site-specific. È una riappropriazione.”. Il tutto, in un Mezzogiorno d’Italia spesso raccontato solo per criminalità organizzata e marginalizzazione. A quel sigillo se ne è aggiunto un altro, ancora più spiazzante per un’edicola di San Severo: il Los Angeles Journal, una delle testate più influenti della West Coast per le arti performative. Il 12 maggio 2026, titola in questo modo: San Severo’s Teatro Edicola as an Innovative Model for Los Angeles Theaters? aprendo così: “In una città del Sud Italia di cui Hollywood non ha mai sentito parlare, un regista teatrale ha appena costruito il palcoscenico più piccolo del mondo: sei posti, quindici minuti, zero distanza. Los Angeles dovrebbe prestare attenzione.” Il Los Angeles Journal non fa folklore, ma mette il chiosco di via Matteo Tondi accanto al presigioso teatro losangelino Ahmanson da 1600 posti, al Pantages di Broadway in Hollywood, ai 99-seat plan di Rogue Machine, all’ Odyssey, al Victory Theatre e all’ Hollywood Fringe. Rievoca persino l’Electrical Box Theatre di Ethan Marks, una vera e propria scatola elettrica foderata di velluto rosso in downtown Los Angeles, per dire che Gravino ha portato all’estremo la domanda che Los Angeles si fa da decenni: Quanto piccolo può diventare un palco prima di smettere di essere un palco? E riconosce il modello urbano sanseverese: costo quasi zero, due settimane di lavoro e una sestina di sedie, a fronte di una immediata copertura mediatica provinciale, regionale e nazionale, riconoscimento dell’ Amministrazione Comunale sanseverese, e un format esportabile (quasi) ovunque. Dopodiché, il terzo tassello americano è arrivato dall’ Hollywood Beat Magazine il 20 aprile 2026: Six seats. Fifteen minutes. One actor. No stage. Il magazine racconta il chiosco di Via Tondi rimasto dismesso per quasi sei anni, il presidio culturale contemporaneo da sei posti, inserendo Francesco Gravino nella genealogia alta: Richard Schechner e l’environmental theatre, Jerzy Grotowski e il teatro povero, Nicolas Bourriaud e l’estetica relazionale. Ma chiude con concretezza: non è una tesi, è fixing a street corner, ovvero aggiustare un angolo di strada urbana chiedendosi non quanto grande può diventare un teatro, ma quanto piccolo deve tornare per recuperare il suo potere originario. E infine, il celebre londinese The Psychologist, la rivista della British Psychological Society (BPS), la più antica società di psicologia al mondo, ha trasformato il Teatro-Edicola in caso di studio scientifico: il 30 luglio 2026 pubblica The world’s smallest theatre — and Psychologists’ next act, partendo dallo stesso dettaglio, la mattina del 27 marzo in cui la saracinesca metallica del chiosco esagonale di Via Tondi si riapre dopo sei anni, sei persone dentro, un attore a meno di un metro che inizia Chekhov. Descrive la formula: sei spettatori, 15 minuti, 11 attori su 10 ore, da Goldoni a Euripide, dentro un chiosco dove la quarta parete non si rompe perché architettonicamente non è mai esistita. Ma la BPS fa un passo oltre: cita gli studi del 2025 di Damien Gabriel su IBRO Neuroscience Reports, la performance live genera attivazione emotiva e fisiologica misurabilmente più forte del video e introduce la prossemica di Edward Hall: sotto il metro è spazio intimo, riservato a medici, amici stretti, amanti. In quello spazio da un metro quadrato, il respiro dell’attore è udibile, le microespressioni leggibili, il confine sé-altro diventa permeabile. Il Teatro-Edicola “non rende il teatro migliore, lo rende inevitabile”. Ed è qui che si capisce perché Stanford lo studia come caso di studio accademico di innovazione sociale, non come caso di originalità artistica. In Italia, nel frattempo, il circuito mediatico nazionale aveva già intercettato il fenomeno: RaiNews — TG2 Storie lo porta su RaiDue alla mezzanotte del 19 aprile. RTL 102.5 dedica spazio al format ideato da Gravino e sviluppato da Foyer’97 nel cuore di San Severo in Via Tondi, definendolo micro-palcoscenico permanente capace di portare teatro nello spazio pubblico. ANSA.it, Gazzetta del Mezzogiorno, La Repubblica, TG2000, Radio Capital, RSI svizzera, ANSA Brasile e tanti altri seguono. E per diritto di cronaca: Fiorello lo ha elogiato in La Pennicanzacome caso artistico ispirato al suo Edicola Fiore, nonché Biagio Antonacci, nel suo tour nell’anfiteatro augusteo di Lucera, ha fatto tappa “conoscitiva” nel Teatro-Edicola cantando la celebre e nostalgica Iris davanti ad un pubblico sicuramente maggiore dei “sei posti”. La Compagnia Teatrale Foyer ’97 di Francesco Gravino non è nata ieri: ha alle spalle il Teatro-Cantina del 2016, il teatro sottoterra, e nel 2011 una performance sulla torre campanaria di una chiesa del centro di San Severo a 45 metri d’altezza. Il Teatro Edicola completa, nelle parole di Gravino, “l’intera estensione verticale del teatro: sottoterra, piano strada, tetto”. E si prepara al trentennale del 2027 puntando ad acquistare l’edicola per renderla permanente esportando il “Modello San Severo” a Roma, Lucca, nei festival di Santarcangelo e Todi. Come per il GIO Festival, qualcuno potrebbe osare di affermare che si tratta solo di un exploit ma, quando BroadwayWorld ti mette accanto alla Los Angeles Opera House, il Los Angeles Journal ti propone come modello per Hollywood, Hollywood Beat Magazine ti legge con Grotowski e la British Psychological Society ti usa per spiegare i neuroni specchio, non è più un exploit ma un eccellente posizionamento artistico ed accademico. A chi ancora sussurra che Foggia e la Capitanata siano provincia, la risposta ora è scritta su due fronti opposti e complementari: il 5 giugno a Foggia un’opera di 138 anni ha ritrovato la scena al Giordano finendo su BroadwayWorld; il 27 marzo a San Severo un’edicola di 4 metri quadrati ha inventato una scena che non esisteva, finendo a Stanford, a Los Angeles, a Hollywood e a Londra. La periferia, quando ha un’idea precisa, diventa centro. Anche con sei sedie. Luciano Magaldi Sardella

SandroSca had described Spalletti's Juventus as a team that maintained possession, surrounded the opponents, and won back many balls, forcing them into their own half. In his opinion, however, the play was slow and lacking in incisiveness, with wingers oriented towards dribbling or makeshift full-backs, little quality in the midfield, and a center forward who did not fulfill that role. He had also noted that the team conceded a goal from the opponent's first shot. https://t.co/gmdCxSnmU4 #Juventus #SerieA #Calcio (translated)

Andrej Fiskovec wrote that Ukraine will not acquire the necessary number of interceptors for the Patriot systems from the USA before winter, even though they are critically important. According to him, European money will remain with European arms manufacturers, who will then have to seek other buyers and save their reputation. He urged the Americans to take action against a person he derogatorily referred to as a clown, otherwise, he believes there will be nothing to piece together in foreign policy in two years. #Ukrajina #zbrojování #zahraničnípolitika (translated)

FRENCHRAPUS presented several claims that he said were made during the demonstration on October 17. They concerned, in particular, purchasing power, with increases in wages, an adjustment of the minimum wage, and a reduction in prices, as well as education and studies, with better conditions, more resources, and more places at university, a reform of scholarships, and a re-evaluation of Parcoursup and MonMaster. He also cited demands regarding the protection and support of employees, people with disabilities, and job seekers, as well as unemployment compensation. In the field of health, he mentioned the need for more medical staff and better reimbursement for healthcare. For overseas territories, he mentioned demands for a reduction in the cost of living and flight tickets, an increase in wages, and improvements to the water supply network. He also referred to more accessible transportation, improvement of the network, and a decrease in fuel prices. Finally, FRENCHRAPUS indicated that the demands included better consideration of testimonials, support for victims of violence, and harsher penalties in cases of serious misconduct or intentional endangerment. He also mentioned the importance of listening to citizens' demands and defending purchasing power. #Manif17Octobre #Revendiations #PouvoirDachat (translated)

Maranello Paddock reported Lewis Hamilton's statements after the Singapore Grand Prix. The Ferrari driver stated that he takes responsibility for a result below expectations and explained that he chose new medium tires to attempt a one-stop strategy, as overtaking is difficult on this circuit. According to him, these tires proved to be less effective than the soft ones. Hamilton indicated that he found his rhythm during the second stint, but was unable to regain enough positions. He mentioned missing the pit entry when the team called him in during the virtual safety car period, and then chose to stay on track. The tire degradation in the final laps allegedly cost him three places, leaving him in sixth. The driver described the race as a hard lesson, acknowledged making mistakes, and apologized to the team for the lost points. He expressed his desire to continue to invest and fight in the next race. #F1 #Ferrari #GrandPrix (translated)

Cerfia reported that Raphaël Glucksmann had claimed a collective victory in the left primary and thanked his supporters and those who campaigned with him. He believed that the result showed that a left faithful to its values could unite, govern, and win, without giving up on discussing justice, ecology, and the Republic. Glucksmann specified that his goal was to win the presidential election of 2027, to turn the page on Macronism, to prevent the far-right, and to change lives. He added that his first place did not confer any rights upon him and required him to listen, persuade, and unite even more. #Gauche #Élections2027 #JusticeSociale (translated)

The author indicated that high school students from across France gathered in Paris on October 10 for their first national general assembly, dedicated to assessing their mobilization. He wrote that they wished to continue and strengthen their support for high schools in working-class neighborhoods, which he presented as more exposed to police violence. #Lycéens #Mobilisation #JusticeSociale #FR (translated)

Oliver Adámek described the results of STAN in Prague as a triumph and wrote that the party strengthened in almost all city districts. He attributed this to the work of Petr Hlaváček and his team, as well as to the outcomes of promoting major projects. He considered STAN, Prague itself, and the Pirates to be the programmatically most suitable coalition at the magistrate. According to him, the disrupted relationships between Hlaváček and Adam Scheinherr from the campaign hindered it, and part of the leadership of Prague's STAN preferred cooperation with ODS. Adámek also pointed out the differences between STAN and SPOLU in transportation and housing: Hlaváček advocated for urban housing construction, parking restrictions, prioritization of public transport, and tolls in the city center, while the leader of SPOLU criticized the Prague development company and rejected the idea of the city building apartments. He concluded that without concessions from one of the parties, major agreements might not succeed again. He also described a coalition of STAN and SPOLU, extended by Prague itself or the Pirates, as possible but unlikely. He stated that the larger parties would have to give up seats they did not need, leading to an even more disparate grouping. He deemed SPOLU's result as decent, but also noted that the coalition weakened in most city districts and could lose mayors. According to him, the Pirates were losing everywhere, while Prague itself attracted liberal voters; he cited city districts Prague 1, 8, 6, and 10 as examples. #Praha #obecnívolby #politika (translated)

Actu Foot reported that Thierno Barry identified more with Cristiano Ronaldo than with Lionel Messi. The player had said he felt close to Ronaldo’s work ethic, while also emphasizing that Ronaldo had talent. He added that hard work was not always enough, mentioning people who had worked a lot without succeeding. Actu Foot indicated that the statements came from YouTube (justriadh). #CristianoRonaldo #Football #Talent (translated)

The doctor asked for Roncaccia's immediate disqualification from GFVIP. She wrote that her four-year-old nephew, after hearing a phrase on television, had started to repeat it continuously and said she didn't know how to make him stop. She wondered what kind of example that was. #GFVIP #Squalifica #Esempi #GFVIP (translated)

Sprint reported that Fernando Alonso and Lewis Hamilton had been questioned about night races in Formula 1 and the possibility of adding them to the calendar. Alonso believed that they ended too late to fly home and that it would be better to schedule them at 6 or 7 in the morning, so that he could have lunch at home. Lewis Hamilton, for his part, mentioned his recent visit to Madrid: he found the city beautiful during the day and thought it could also be nice at night, like other circuits. #F1 #SingaporeGP #F1 #Formule1 #CoursesNocturnes (translated)

Matthieu Valet criticized on BFM TV an exchange with student Younès Dufresne, whom he presented as far-left. He wrote that the journalist had to remind the student several times to behave and reproached him for not referring to the people who had vandalized the university in Nantes as thugs and transformed it into a ZAD. Valet also claimed that stones had been gathered high near the windows to be thrown at the police, and he questioned the three-day delay before the university president requested the evacuation of the premises. He recalled that in 2022, she had written to students urging them to block Marine Le Pen in the second round of the presidential election. He concluded by stating that the perpetrators of the damage were vandalizing the places, that the police were being attacked, and that taxpayers were bearing the cost, adding that the French could no longer tolerate it. #France #Justice #Société (translated)

Press Briefs indicated that, according to Ipsos BVA, Marine Le Pen and Jordan Bardella had lost four and three points of popularity respectively in one month. The account then mentioned the anti-Semitic remarks attributed to the president of the National Rally, who denies being the author, and the elements published by Mediapart: testimonies, data extractions from Meta made under the watch of the media and a bailiff, as well as correspondence between Bardella's public posts and private messages from the implicated account. It also mentioned biographical details that reappeared eleven years later, and that, according to him, Bardella was the only one who knew at the time. Press Briefs also reported that, according to Le Canard enchaîné, the content of one of Bardella's Facebook accounts had been completely deleted in recent days, while he claimed that his personal accounts had not existed for a long time. The account described Bardella's reaction as silence and a leap forward, then wondered whether far-right activists would blame him more for his strategy of lies than for the remarks themselves. #politique #antisémitisme #RassemblementNational (translated)

Marco M.M. wrote that his profile, dedicated to meteorology, would continue to deal with the weather, but that he wanted to share a personal reflection after facing a significant health issue in the previous weeks. He recounted having lived through difficult days and new fears, an experience that, according to him, made him reevaluate everyday things and the importance of paying attention to the difficulties of others. He added that his private messages were open to anyone who needed to talk and that, while he did not have solutions for every problem, he was available to listen. He concluded by inviting people to take care of themselves and those close to them, specifying that in the next post he would return to discussing meteorology. #Vita #Ascolto #Gratitudine (translated)

substituting more final exams for continuous assessment to base files and selection in higher education on an objective and national basis. The rapporteur of the law that created Parcoursup in 2018, the Renaissance presidential candidate, Gabriel Attal, agreed on the need to "evolve" the system, particularly wishing to "substitute more final exams for continuous assessment to base files and selection in higher education on an objective and national basis." #Parcoursup #Education #Lycéens (translated)

Such actions pose a serious threat to regional security, perpetuate cycles of violence, and further complicate peace efforts for Yemen. The deadly attack on Riyadh airport "constitutes a serious escalation," says the UN envoy for Yemen, Hans Grundberg, accusing pro-Iranian Houthi fighters. #Yémen #Riyad #Houthis (translated)