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Her latest work, a collection of prose texts from various publications titled "Wrong Norma," was published in 2024, and that year Carson shared with readers in an intimate essay in the London Review of Books that she is suffering from Parkinson's disease. #AnneCarson #NobelovaNagrada #književnost (translated)

WITNESS TO HISTORY Mike Walsh: “I have read a lot about WWII and Germany. This includes David Irving’s books. However, you wrapped it all in a really tidy and factual package. I highly recommend it to all my history truth-seeking friends. Thank you for such a great book.” ~ B. Wiggles. https://barnesreview.org/product/witness-to-history-the-reich-legend-uncensored/

WITNESS TO HISTORY Mike Walsh: “I have read a lot about WWII and Germany. This includes David Irving’s books. However, you wrapped it all in a really tidy and factual package. I highly recommend it to all my history truth-seeking friends. Thank you for such a great book.” ~ B. Wiggles. https://barnesreview.org/product/witness-to-history-the-reich-legend-uncensored/

New! Out in October! Dark Reading Matter : The Last Thursday Next novel by Jasper Fforde The final novel in the highly acclaimed and beloved Thursday Next series. Will Thursday find her happy ending? Swindon-based Literary Detective Thursday Next is embarking on her eighth and final adventure: 'Dark Reading Matter' and she is well aware of the fact. The problem is, others are too. Old foes and new are plotting a terrible revenge: To disrupt the narrative and make Dark Reading Matter not just unreadable but unpublishable. Thursday can't let that happen and needs to use all her guile and narrative trickery to unmask the antagonists and guide the series to a satisfactory conclusion. It won't be easy. The Martians have broken out of their HG Wells novel and threaten both the real world and the Bookworld. Agents from a higher reality want unfettered access to the Dark Reading Matter, the realm where deleted books and unrealised literary ideas end up. A Gateway to Hell has opened up at Wantage's Shakesmania, the nation's second to worst Shakespeare theme park and the cosy world of Enid Blyton has been hi-jacked by Ultra Right Wing Nationalists. With Reality Field Distortion experiments going haywire, a partially redacted donkey, a Bookworld on the brink of losing its imaginative energy to Big Tech and a murderous stamp collector with Philaticide on their mind, Thursday has to navigate a tightrope of borderline unusable narrative devices to bring the series to a satisfactory conclusion. It's a tall order, but Thursday has a secret weapon: Her own adaptability, her husband Landen, a host of stalwart friends and ultimately the most loyal compatriots she can call upon: Her readers.

WITNESS TO HISTORY Mike Walsh: “I have read a lot about WWII and Germany. This includes David Irving’s books. However, you wrapped it all in a really tidy and factual package. I highly recommend it to all my history truth-seeking friends. Thank you for such a great book.” ~ B. Wiggles. https://barnesreview.org/product/witness-to-history-the-reich-legend-uncensored/

Peisajul literar contemporan din România se îmbogățește cu o apariție editorială remarcabilă, de o forță psihologică rară. Editura Cișmigiu Books anunță publicarea romanului „Osul de lapte”, semnat de Roxana Pană, o primă ediție întinsă pe parcursul a 200 de pagini care propune o scufundare curajoasă în dinamica traumelor moștenite și a felului în care fragilitatea copilăriei se transformă, în timp, în structura dură care ține un om în viață sau îl strivește sub propria greutate. https://www.litera13.ro/2026/09/osul-de-lapte-de-roxana-pana-o.html

Liverpool now has 5 Hungarian players on the books 🇭🇺 Dominik Szoboszlai Milos Kerkez Ármin Pécsi Erik Farkas Patrik Farkas https://t.co/1SmrFVLnww #LiverpoolFC #HungarianPlayers #PremierLeague

When Emotion Takes the Reins A remarkable study published in Proceedings of the National Academy of Sciencesexamined millions of books covering almost 170 years and tracked language associated with rationality—facts, conclusions, analysis and determination—against language associated with sentiment—feeling, belief and emotion. The pattern was striking. From roughly 1850 to 1980, rationality-related language steadily increased while sentiment-related language declined. Then the trend reversed. By around 2007, sentiment-related language had overtaken rationality-related language and continued rising (Scheffer et al., 2021). This does not prove that people have become less rational, nor does the study establish a single cause. But it raises an important question: what happens when trust in the institutions associated with knowledge and expertise begins to collapse? If people believe governments, experts, universities and media are corrupt or captured, “look at the data” can sound less like an appeal to reason and more like an appeal to authority. And when institutional trust declines, emotion becomes politically powerful. Anger supplies an enemy. Fear supplies urgency. Hope supplies a future. Identity supplies belonging. Could this help explain why socialism and even communism have regained some appeal among young people despite the historical record? The study cannot establish that causal link. But it is a plausible hypothesis: when politics becomes increasingly emotional, an ideology can be judged by what it promises rather than by what it has historically produced. Benjamin Franklin captured the necessary balance: “If passion drives, let reason hold the reins.” Passion is not the enemy. It is the engine of human action. The danger comes when we surrender the steering wheel. Today, algorithms, political campaigns and media incentives are exceptionally good at exploiting emotion. Outrage spreads faster than nuance. A soundbite can provoke a reaction before we have checked whether it is true.

WITNESS TO HISTORY Mike Walsh: “I have read a lot about WWII and Germany. This includes David Irving’s books. However, you wrapped it all in a really tidy and factual package. I highly recommend it to all my history truth-seeking friends. Thank you for such a great book.” ~ B. Wiggles. https://barnesreview.org/product/witness-to-history-the-reich-legend-uncensored/

Energy revolution? Yes, solar+wind are making history books, but fossil fuels are growing too (at least so far). +remember, no growth is sustainable. #EnergyRevolution #SolarEnergy #FossilFuels #Nospecificcountrycodesarementionedinthetweetprovided.

UKRAINE KEEPS WRITING ITS STORY #Ukraine#Lviv#BookForum The 33rd BookForum begins today in Lviv. Despite Russia’s war, Ukrainian books are written, published and read — including powerful firsthand accounts by Ukrainian soldiers. Our story will be written by us. SLAVA UKRAÏNI🇺🇦

When Emotion Takes the Reins A remarkable study published in Proceedings of the National Academy of Sciencesexamined millions of books covering almost 170 years and tracked language associated with rationality—facts, conclusions, analysis and determination—against language associated with sentiment—feeling, belief and emotion. The pattern was striking. From roughly 1850 to 1980, rationality-related language steadily increased while sentiment-related language declined. Then the trend reversed. By around 2007, sentiment-related language had overtaken rationality-related language and continued rising (Scheffer et al., 2021). This does not prove that people have become less rational, nor does the study establish a single cause. But it raises an important question: what happens when trust in the institutions associated with knowledge and expertise begins to collapse? If people believe governments, experts, universities and media are corrupt or captured, “look at the data” can sound less like an appeal to reason and more like an appeal to authority. And when institutional trust declines, emotion becomes politically powerful. Anger supplies an enemy. Fear supplies urgency. Hope supplies a future. Identity supplies belonging. Could this help explain why socialism and even communism have regained some appeal among young people despite the historical record? The study cannot establish that causal link. But it is a plausible hypothesis: when politics becomes increasingly emotional, an ideology can be judged by what it promises rather than by what it has historically produced. Benjamin Franklin captured the necessary balance: “If passion drives, let reason hold the reins.” Passion is not the enemy. It is the engine of human action. The danger comes when we surrender the steering wheel. Today, algorithms, political campaigns and media incentives are exceptionally good at exploiting emotion. Outrage spreads faster than nuance. A soundbite can provoke a reaction before we have checked whether it is true. Reference: Scheffer, M., van de Leemput, I., Weinans, E., & Bollen, J. (2021). The rise and fall of rationality in language. PNAS, 118(51), e2107848118. https://doi.org/10.1073/pnas.2107848118

From Yale University to Foggia: World Staging Premiere of Umberto Giordano's “Marina” at Foggia's Teatro Umberto Giordano SOURCE: https://www.linkedin.com/pulse/from-yale-university-foggia-world-premi%C3%A8re-scenic-sardella-ph-d--id9de/ SOURCE: https://www.foggiareporter.it/dalla-yale-university-a-foggia-la-prima-mondiale-in-forma-scenica-di-marina-al-teatro-giordano.html (With heartfelt thanks to the distinguished journalist, Dr Christiana Lenoci…) From the Frederick R. Koch Collection of the Beinecke Rare Book and Manuscript Library at Yale University to Foggia. Such is the extraordinary journey of Marina, Umberto Giordano’s first opera, which—after 138 years of oblivion—received its World Première in scenic form on 5 June 2026 at the Umberto Giordano Theatre in Foggia, inaugurating the GIO Festival – Giordano International Opera Festival. This remarkable rediscovery is recalled by Luciano Magaldi Sardella, Contributing Review of Books Critic at the London School of Economics (LSE). The project, conceived by Gianna Fratta and the artistic direction of the GIO Festival, seeks to transform Foggia, the Tavoliere plain, the Monti Dauni and the Gargano into a widespread stage dedicated to the city’s native composer, following the model of the great festivals devoted to Verdi, Rossini and Bellini. The vanished score At the age of twenty‑one, Umberto Giordano entered the Sonzogno Competition in Milan with Marina, a one‑act melodrama. Among seventy‑two competitors, he ranked within the top twelve. The prize was awarded to Pietro Mascagni’s Cavalleria rusticana. Giordano received an honourable mention, withdrew the score, and recycled part of its music in his later Mala Vita (1892). After his death in 1948, the manuscript disappeared and—entirely legally—ended up catalogued and forgotten within Yale’s collection. It was brought back to light by the musicologist and conductor Andreas Gies who, while studying the works of Leoncavallo, identified the autograph score in Yale’s online catalogue. Together with his colleague from San Severo, Emanuele d’Angelo, Gies prepared a rigorous critical edition that restored the work’s readability. Following its absolute première in concert form at the Teatro Dal Verme in Milan in February 2026—the very theatre that witnessed the early steps of Puccini and Leoncavallo—recorded live by Decca Classics with Eleonora Buratto in the title role and Freddie De Tommaso as Giorgio, praised by Gramophone and The Times of London, Marina finally returned home. Foggia reclaims it On 5 June 2026, the Umberto Giordano Theatre hosted the World Première in scenic form. The production was directed by Giandomenico Vaccari, who transposed the action to the era of the First World War; conducted by Matteo Dal Maso, winner of the Donatella Flick LSO Conducting Competition; and featured Valeria Sepe as Marina. A historic event for a city that lends its name to both its Theatre and its Conservatoire, yet until now had been the only among the cities of Italy’s great opera composers without a festival entirely dedicated to its own. The GIO Festival, from 5 to 20 June, unfolded across sixteen days and more than twenty events in seven municipalities of the Capitanata—Foggia, Manfredonia, Peschici, Vieste, Biccari, Roseto Valfortore and Torremaggiore—uniting opera, jazz, cinema and dance. The finale: opera as urban intervention On the evening of 20 June 2026, thirteen lorries arrived in Piazza Cavour in Foggia from Milan. They carried the entire production apparatus of Teatro alla Scala. The square was transformed into an open‑air theatre for Giordano’s Andrea Chénier, conducted by Gianna Fratta and featuring Maria Agresta and Jorge de León, before thousands of citizens. The opera of a revolutionary, erupting into the summer air of the city where Giordano was born. A gesture of proximity theatre demonstrating what a manuscript can achieve: turning a forgotten archive into a driver of economic and touristic development for the region, with Confcommercio’s puzzle‑based itineraries, Giordano‑themed menus, and QR codes featuring a digital avatar of the composer. Marina was lost for 138 years. To bring it back, six months, a library card, and a festival were enough.