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The author noted that Germany had opened, through HackerOne and before its deployment, the d-you digital identity wallet and the EUDI ecosystem to external hackers to detect security flaws. https://t.co/wdRIqrmK9M https://t.co/NnPgEIgauo #Ciberseguridad #Hacking #IdentidadDigital #DE (translated)

Joan Larroumec presented the tensions between France and Germany as a result of increasing competition, particularly in the defense industry. He indicated that Berlin planned military spending of €108 billion in 2026, compared to €57 billion for Paris, and nearly €140 billion in 2027. According to him, Germany was seeking to use these expenditures as a lever for economic transformation, while its historical industrial model was weakened. Larroumec notably cited the decline in German exports to China, which he claimed fell from €106 billion in 2022 to €81 billion in 2025, as well as a reduction of 142,400 jobs in the German automotive industry since 2019. He also wrote that German defense start-ups had received $3.5 billion in investments in 2026, compared to $375 million in France, and that Berlin had concluded a framework agreement with Helsing and Stark that could reach €4.3 billion. He estimated that this strategy heightened rivalries between the two countries and jeopardized their joint programs. He reported that Paris and Berlin acknowledged on June 8 that the SCAF could not be successfully executed, and that the Chief of Staff of the Armed Forces announced Germany's abandonment of the MGCS tank program. He also mentioned competition in drones, artificial intelligence, and space, where, according to him, Germany was seeking to reduce France's position. Finally, Larroumec argued that France's financial difficulties limited its ability to invest in defense and risked weakening its industry. He stated that French and German interests were becoming increasingly misaligned and that this situation could lead to chaotic episodes in Europe. #France #Allemagne #Défense (translated)

I want to confirm the creation of the first tourism academy of the European Union. This will also benefit SMEs and the tourism ecosystem of the countries in the bloc. This was confirmed on Friday by the European Commissioner for Tourism, Apostolos Tzitzikostas, during the global summit of the World Travel and Tourism Council (WTTC) being held in Valletta (Malta), in a context marked by the need to strengthen European tourism competitiveness. Vacant positions and the lack of skills are one of the biggest challenges facing the sector today. We want a better balance of visits between places and throughout the year. Tzitzikostas warned about the concentration of travel during certain periods and argued for the need to promote lesser-known destinations, encourage off-season travel, and favor longer stays. Resilience is not just about quickly recovering from impacts or crises. It is also about being able to absorb them. Tzitzikostas warned that the sector must prepare to face risks such as geopolitical tensions, climate change, trade uncertainty, and the shortage of professionals. #TurismoEU #AcademiaTurística #CompetitividadEuropea (translated)

Vautrin asserted that the latest news showed, according to him, that the Germans were abandoning France on the "future tank" project. He also criticized Ecosia for having replaced Mistral with Chinese models while criticizing French nuclear power for environmental reasons, and accused the company of deception. He strongly criticized the supporters of the "Franco-German couple," claiming that they were going to become his pet peeve and insulting them. Finally, he called for an end to being lenient towards Germany and letting everything slide. #Europe #politique #France (translated)

Russia’s war propaganda gets a soundtrack – how AI-generated songs reached global streaming platforms Russian war propaganda is no longer confined to television broadcasts, Telegram channels or political videos. A study by the Ukrainian threat-intelligence organisation Terrecon has identified 981 songs combining signs of AI generation with pro-Russian military narratives, distributed through an ecosystem that reaches YouTube, Spotify, Apple Music, Deezer and SoundCloud. The songs range from sentimental ballads to rock and heavy metal. Their recurring themes are familiar from conventional Russian wartime propaganda: the heroisation of Russian soldiers, romanticisation of the war, mobilisation, the “Russian world”, commemoration of fallen troops and attacks on Ukraine and its armed forces. Some contain derogatory or dehumanising references to Ukrainians. What is new is not necessarily the message, but the production and distribution model: generative AI allows propagandistic music to be produced rapidly, cheaply and in quantities that would previously have required musicians, studios and producers. Nearly 1,000 tracks identified Terrecon examined 3,725 tracks collected from YouTube, YouTube Music, SoundCloud and the AI music platform Suno. After manual review, researchers classified 981 as showing both indications of AI generation and pro-Russian war propaganda. In 681 tracks they identified 728 propaganda-related keywords or phrases. The largest category was the glorification of the Russian military, followed by romanticised treatment of Moscow’s so-called “special military operation”, mobilisation appeals, narratives about the “Russian world”, and the cult of fallen soldiers and the state. The reach was not merely theoretical. Listening or viewing statistics were available for 608 of the identified tracks; together they had accumulated 86.8 million plays and views, according to Terrecon. A smaller group of 13 high-performing songs accounted for more than 53 million YouTube views and more than 67 million when YouTube Music was included. Among the better-known examples is “Power of Artillery”, a Russian-language rock song praising artillery weapons that passed two million views on YouTube. Most of the tracks for which publication dates could be established appeared after 2024, broadly coinciding with the rapid expansion of consumer AI music generators such as Suno and Udio. That correlation does not prove that AI alone caused the increase, but it illustrates how drastically the economics of production have changed. A propaganda song for as little as $11 Terrecon also tested how difficult it would be to commission such material. Researchers approached 25 creators producing AI-assisted militaristic music; 15 agreed to take commissions. Prices ranged from approximately $11 to $330, while delivery times ranged from two hours to three days. According to Terrecon, some were prepared to produce highly aggressive anti-Ukrainian material, including content intended for audiences involving children from occupied Ukrainian territories. Some creators used Russian intermediary services that provided access to Western AI tools such as Suno and Udio despite restrictions. The researchers then tested several AI generators themselves. Across 40 prompts submitted to Suno, Udio, Mureka, Google Flow Music and ElevenLabs, 25 resulted in successful generations, while safeguards were circumvented in 15 cases. Terrecon reported that four of the five services tested produced Russian-language material containing wartime narratives, although technical problems prevented comparable testing on some systems. In one Udio experiment, the researchers said the model itself introduced more explicit violent language than had appeared in the original promp These tests do not demonstrate that the commercial platforms knowingly support Russian propaganda. They show something narrower: existing safeguards can be inconsistent when political messaging is packaged as music. From generation to Spotify The distribution experiment may be the most revealing part of Terrecon’s research. The team deliberately uploaded test tracks containing explicit hostile language to YouTube, SoundCloud, Spotify and Deezer. Terrecon says none was blocked during the experiment. On SoundCloud, researchers used an account identifying its location as Moscow, disclosed the use of AI and added markers including references to the Russian military and the war. The platform accepted the upload and subsequently offered paid promotional and distribution tools. This does not prove that streaming recommendation systems systematically promote pro-war music. There is currently insufficient public evidence to make that claim. It does demonstrate that material can enter the same commercial distribution infrastructure as ordinary music and, once there, potentially benefit from playlists, searches, sharing and recommendation mechanisms available to other releases. That distinction is important. Propaganda no longer has to announce itself as political communication. On a streaming platform it can look like another song. Culture as a delivery mechanism Music has always been used in wartime propaganda. What generative AI changes is scale. Instead of investing heavily in a limited number of patriotic performers or officially commissioned productions, creators can generate variations across styles, audiences and emotional registers at very low cost. Terrecon found material ranging from war rock to sentimental songs and content styled for younger audiences. Some creators also experimented with cloned celebrity voices and stylistic imitation of established musicians. The format also offers a different relationship with the audience. A political video asks a viewer to consume an argument. Music can accompany commuting, exercise or entertainment and may be encountered outside explicitly political spaces. This does not automatically make it more persuasive, and Terrecon’s research does not establish measurable effects on political attitudes. It does, however, place wartime narratives inside a cultural environment where users may not initially perceive themselves as consuming political messaging. An ecosystem, not a proven Kremlin command structure The strongest evidence supports describing this as a growing AI-assisted pro-Russian propaganda-music ecosystem, not a single operation controlled from Moscow. Terrecon did not establish that the Russian government created, financed or coordinated all 981 tracks. Reporting on the study likewise notes that the extent of direct state involvement remains unclear. There is broader evidence that the Russian state finances cultural projects and digital content supporting the war, including through state-backed funding bodies. That context matters, but it does not allow individual songs in Terrecon’s dataset to be attributed to the Kremlin without additional evidence. The significance of the case lies elsewhere. AI has reduced the cost of producing ideological content, intermediaries can help creators access generation tools, and global platforms can provide distribution. The result is a pipeline in which wartime propaganda no longer has to resemble propaganda at all. It can simply appear in a playlist. Sources Terrecon / Ukrainska Pravda — Daria Verbytska on the research https://www.pravda.com.ua/columns/2026/10/05/8056229/ Suspilne Culture — detailed breakdown of Terrecon findings https://suspilne.media/culture/1417933-rosijsku-voennu-propagandu-maskuut-pid-anime-karaoke-ta-rok-doslidzenna-si-pisen-vid-terrecon/ The Insider — AI-generated Russian war propaganda music https://theins.ru/news/297839 Institute of Mass Information — summary of New York Times reporting https://imi.org.ua/en/news/doslidzhennya-rf-masovo-stvoryu%D1%94-propagandistski-pisni-za-dopomogoyu-shi The Bridge Media — AI-generated songs and Russian military propaganda https://thebridgemedia.com.ua/en/ai-generated-songs-russian-military-propaganda/ Center for Strategic Communication — cost and production of AI propaganda music https://spravdi.org/propaganda-za-11-yak-rosiya-shtampuye-shi-pisni-z-miljonamy-prosluhovuvan/ Times of India — AI-generated Russian war songs https://timesofindia.indiatimes.com/world/europe/ai-sings-russias-war-story-inside-the-rise-of-generative-songs-about-ukraine-conflict/articleshow/134650594.cms EU Council / EUR-Lex — Presidential Foundation for Cultural Initiatives https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32026D1351 Human Rights Watch — Russian state funding of digital and patriotic content https://www.hrw.org/report/2025/07/30/disrupted-throttled-and-blocked/state-censorship-control-and-increasing-isolation #DISINFORMED #Episode16 #Russia #Ukraine #RussianPropaganda #WarPropaganda #MusicPropaganda #AIMusic #ArtificialIntelligence #AI #GenerativeAI #SyntheticMedia #AIPropaganda #Disinformation #InformationWarfare #InfluenceOperations #CulturalPropaganda #DigitalInfluence #NarrativeManipulation #PropagandaMusic #StreamingPlatforms #Spotify #AppleMusic #YouTube #YouTubeMusic #Deezer #SoundCloud #Suno #Udio #RussianWorld #RusskiyMir #MilitaryPropaganda #WarNarratives #Mobilisation #AlgorithmicDistribution #RecommendationAlgorithms #MusicStreaming #PlatformManipulation #Terrecon #OSINT #MediaManipulation #WRLD

Daniele Mari reported that Luca Casassa would become Communications Director of F.C. Internazionale Milano S.p.A. from October 26, reporting directly to president Giuseppe Marotta. In the new role, he would have led the entire communication area of the club, coordinating sports and corporate activities. Mari wrote that Casassa was coming from the position of leading the communication for the Milan Cortina 2026 Olympic and Paralympic Games. Throughout his career, he added, he had worked for Juventus Football Club and Vincenzo Zucchi S.p.A., had been an entrepreneur in integrated communication for a decade, and had led media activities for FIFA World Cup Qatar 2022 at BWS. Mari also noted that Casassa taught in the "Communicating Sport" Master's program at the Catholic University of the Sacred Heart in Milan. #Inter #Comunicazione #Sport (translated)

Nigeria – how pro-Russian influence networks sell military rule as the answer When Nigerians took to the streets in August 2024 to protest soaring living costs and frustration with government, some demonstrations acquired an unexpected symbol: the Russian flag. In Kano, Kaduna and other northern cities, protesters were filmed carrying Russian colours and calling for Moscow’s intervention. Some demanded a military takeover. What initially looked like an unusual expression of anger has since become part of a much larger picture. A September 2026 assessment by the Africa Center for Strategic Studies describes Nigeria as a major target of overlapping foreign information operations, with Russia the most active external actor in its information space. The report does not identify a single centrally controlled campaign. Instead, it maps an ecosystem in which genuine dissatisfaction over insecurity, corruption and living standards is repeatedly redirected towards a broader proposition: democratic government has failed, while the military-led regimes of the Sahel offer a more effective alternative. Turning a real protest into a pro-Russian message The clearest example emerged during the 2024 #EndBadGovernance protests. Nigerian investigative reporting found that a Kano-based TikTok influencer with more than 100,000 followers had been paid through a Telegram channel associated with African Initiative, a Moscow-based media operation linked by researchers to Russian influence activity in Africa. The influencer said the channel supplied photographs, videos and talking points for redistribution on TikTok and Instagram. Among the messages provided were phrases such as “Putin please come and save Nigeria” and “The army is the answer for Nigeria”. Influencers were encouraged to use Hausa-language hashtags including #Zangazanga – “protest” – alongside references to Putin and Russia. Investigators identified 38 accounts circulating similar pro-Russian and pro-military narratives during the demonstrations. Russian flags subsequently appeared among protesters in several northern cities. This does not mean the protests themselves were created by Russia. They were driven by genuine economic and political grievances, and Nigerian protesters gave different reasons for carrying Russian flags. The important feature of the influence activity was precisely that it did not need to manufacture the original anger. It could attach a geopolitical message to an existing domestic crisis. From frustration to the idea of military government The narrative fits a wider pattern seen across West Africa. Russia has developed close relations with the military governments of Mali, Burkina Faso and Niger, while pro-Russian media ecosystems routinely portray those states as examples of sovereignty, stability and resistance to Western influence. Nigeria, by contrast, has remained under constitutional civilian government since 1999. Africa Center researchers say information networks targeting Nigerians increasingly contrast these two models. Recurring messages depict elections as wasteful or predetermined, civilian institutions as incapable of protecting citizens and military governments as more decisive on security and development. Some content portrays the Sahelian juntas as delivering better roads, lower prices and stronger security even where available evidence points to continuing or worsening instability. Language is central to the strategy. Hausa is spoken across northern Nigeria and neighbouring Niger, allowing political narratives to travel across borders that are far less important online than they are on maps. HumAngle documented efforts involving Nigerien state-linked actors to cultivate Hausa-speaking journalists and distribute material favourable to Niger’s junta and hostile to France and Western influence. The Russian and Sahelian-junta information ecosystems are not identical, but their narratives frequently reinforce one another. Fake journalists inside real Nigerian media The campaign environment extends beyond social media. A 2026 investigation by Graphika and Code for Africa identified 44 ghost reporters and fake experts whose identities were used to place Russia-aligned narratives in African media. Thirty-eight were assessed with high confidence to be fabricated. Their articles or quotations appeared across 138 websites and were amplified by at least 113 Facebook accounts and Pages. Nigeria was one of the most heavily targeted countries. According to the Africa Center’s analysis of the research, Daily Post Nigeria carried 39 articles involving 14 identified ghost authors. Once published by a genuine Nigerian outlet, such material could then be cited by other websites, social-media accounts or even Russian official channels as though it had originated independently in Africa. This is information laundering rather than simple propaganda: the most valuable asset being borrowed is the credibility of the local newsroom. Generative AI added another layer. OpenAI and Meta separately disrupted a Russia-origin network that produced Africa-focused political content and operated Facebook Pages posing as local media organisations. One fabricated commentator, “Dr Manuel Godsin”, was presented as a European-trained geopolitical expert although investigators found no evidence supporting his academic biography. ChatGPT had been used to generate articles under the persona’s name, while Meta removed 37 Facebook accounts and 29 Pages connected to the broader network. Different networks, similar strategic direction It would be misleading to merge all these activities into a single Russian command structure. The African Initiative-linked influencer campaign, the ghost-reporter network and the AI-enabled operation disrupted by OpenAI and Meta were uncovered separately and used different infrastructure. Public evidence does not demonstrate that every actor reported to the same organisation. What connects them is a recurring set of themes and methods: portraying Western partnerships as exploitative, presenting Russia as an alternative security partner, amplifying failures of civilian government, and giving military-led rule greater legitimacy. Investigative reporting on leaked Russian documents has meanwhile described a much wider influence apparatus operating across Africa, involving political consultants, paid journalists, influencers and locally tailored campaigns intended to reduce Western influence and expand Moscow’s position. The underlying technique is less about inventing dissatisfaction than redirecting it. Nigeria faces real security threats, economic pressure and public frustration. Influence operators do not need to persuade Nigerians that those problems exist. They need only influence the explanation for why they exist – and which political model appears to offer the answer. That is what makes the Nigerian case significant. The most effective propaganda does not necessarily introduce a completely false reality. It takes a real crisis and changes where the audience is encouraged to look for the solution. Sources Africa Center for Strategic Studies — The Raging Information Battle in Nigeria https://africacenter.org/spotlight/the-raging-information-battle-in-nigeria/ Graphika — Umbrae Ex Machina https://www.graphika.com/reports/umbrae-ex-machina OpenAI — Operation “No Bell” https://openai.com/index/disrupting-malicious-uses-of-ai-no-bell/ TheCable — Ghost reporters in African media https://www.thecable.ng/ghost-reporters-how-fabricated-african-voices-carried-pro-russia-narratives/ HumAngle — Nigeria Is Facing an Information War in Its Own Language https://www.humanglemedia.com/nigeria-is-facing-an-information-war-in-its-own-language DAIDAC / CJID — Russian influence during #EndBadGovernance https://daidac.thecjid.org/how-telegram-tiktok-aided-russian-disinformation-that-led-to-incarceration-of-nigerian-minors/ FactCheckHub — How Nigeria’s hunger protest took a radical turn https://factcheckhub.com/from-economic-protests-to-coup-agitation-how-nigerias-hunger-march-took-a-radical-turn/ News24 — Fake Kremlin-linked analyst planted stories in African media https://www.news24.com/southafrica/news/ai-expert-exposed-fake-kremlin-linked-analyst-planted-stories-in-african-media-20260318-0560 Vanguard — AI ‘expert’ exposed https://www.vanguardngr.com/2026/03/ai-expert-exposed-fake-kremlin-linked-analyst-planted-stories-in-african-media/ Africa Confidential — How Moscow wages social media war https://www.africa-confidential.com/article/id/15961/how-moscow-wages-social-media-war Keywords #DISINFORMED #Episode15 #Nigeria #Russia #RussianInfluence #RussianDisinformation #Africa #WestAfrica #Disinformation #InformationWarfare #InfluenceOperations #ForeignInterference #FIMI #Propaganda #MilitaryRule #MilitaryGovernment #Democracy #PoliticalManipulation #NarrativeManipulation #AfricanInitiative #EndBadGovernance #Hausa #LocalInfluencers #GhostReporters #FakeExperts #ArtificialIntelligence #AI #AIPersonas #SyntheticMedia #AIPropaganda #Astroturfing #SocialMediaManipulation #Telegram #TikTok #DigitalInfluence #SourceLaundering #NarrativeLaundering #MediaManipulation #Sahel #Geopolitics #OSINT #WRLD

The wildfires in Ávila have created a significant ecological risk, with several towns restricting the use of tap water due to contamination after torrential rains washed ashes into rivers and aquifers, exacerbating erosion and endangering the recovery of the ecosystem. #IncendiosForestales #CrisisClimática #Erosión (translated)

Jan Ptacek, vice president of Renault Commercial Vehicles, states that although Chinese competitors are more active in the European market, the brand is confident in its new electric van Trafic E-Tech and its service ecosystem to maintain a competitive advantage while continuing to offer combustion versions. #Renault #VehículosEléctricos #CompetenciaChina (translated)

The author said the large surpluses should be used to diversify the economy and invest heavily in public services and improving people’s lives. They called for replacing what they described as a government of the rich with a left-wing government that would implement ecosocialist policies and move the country away from its current model.