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Maranello Paddock indicated that Ferrari's "Macarena" rear wing planned for 2027 was already at an advanced stage of development and that its direction of rotation would not change. According to the account, the system had been refined compared to the 2026 version, particularly to speed up the closure of the movable profile, while maintaining a rotation of more than 200 degrees. The account added that the actuator had been improved in terms of weight and operation and that no aerodynamic reprogramming was planned. It specified that well-informed sources believed the wing complied with FIA requirements, even though the maximum operating time was reduced from 400 to 300 milliseconds, without the need for redesign at this stage. https://t.co/nhYMvNALim) #Ferrari #F1 #RèglementFIA (translated)

In his editorial, Donald Trump claims he still believes he deserves the Nobel Peace Prize due to his achievements such as the return of hostages and the prevention of nuclear proliferation in Iran, while missing the spirit of the prize that values the rapprochement between peoples. #DonaldTrump #PrixNobel #Paix (translated)

The Toad estimated that Charles Martel, who, according to him, had put an end to the Umayyad Arab-Muslim invasion of France in the 8th century, deserved a great historical film. He suggested that a story akin to a "French Braveheart," centered on the character and his battles, could appeal beyond the country's borders. He also wrote that a film depicting a Catholic repelling invaders he described in derogatory terms would today risk being labeled far-right and struggle to secure funding for a big-budget production. Lastly, he hoped that advancements in artificial intelligence would allow this period to be told in the years to come. #Histoire #Cinéma #CharlesMartel (translated)

Cerfia reported that "The Apocalypse," presented as the most expensive and heaviest book in the world, had been stolen overnight from the contemporary art center in Issoire, in the Puy-de-Dôme. According to the media, the work of Joseph Forêt, created between 1958 and 1961, weighed about 210 kg. Its bronze cover, designed by Salvador Dalí, weighed nearly 150 kg. Cerfia also indicated that Jean Cocteau, Jean Giono, and Bernard Buffet had contributed to its creation, citing ICI Pays d'Auvergne. #art #livre #vol (translated)

On October 1st, a thought for Gunnar Andersson 🇸🇪🖤 Tribute to the top scorer in the history of Olympique de Marseille, who tragically disappeared one autumn day in 1969. With more than 190 goals in nearly 250 matches, he still holds a record that remains unmatched to this day. #GunnarAndersson #OM #Hommage (translated)

On me dit souvent que le cycle IA est sur-estimé Mais Wall-Street a très très souvent eu tort sur les précédents cycles technologiques Quatre exemples où la taille du marché a dépassé les prévisions initiales : 1. PC --- 225 millions d’utilisateurs attendus en 2000, contre 354 millions constatés, 57 % au-dessus des prévisions 2. Internet --- 152 millions d’utilisateurs attendus en 2000, contre 361 millions constatés. +138 %. Le marché final représentait plus du double de ce qui était anticipé 3. Mobile --- 657 millions de smartphones livrés attendus en 2013, contre 1,019 milliard constaté, +55 % au-dessus des prévisions. 4. Cloud --- 90,2 milliards de dollars de revenus attendus pour les trois premiers fournisseurs en 2020, contre 115,6 milliards constatés. +28 %. Dans ces quatre exemples, les réalisations dépassent les prévisions initiales d’environ 70 % en moyenne Nous pouvons encore sous-estimer la taille du marché final Si les coûts baissent, que les usages se multiplient et que l’adoption s’élargit, la demande peut dépasser ce que les modèles actuels projètent, ils sont d'ailleurs complètement traumatisé par la bulle dotcom #IA #Technologie #Marché

Proposer cette première mi-temps dans le jeu, dans les intentions, dans la réalisation technique avec autant de changements (des joueurs néophytes) en ressemblant autant à une équipe de club. Je dis oui Zinedine Zidane, je prends bcp de plaisir à regarder l’EDF. #Zidane #EDF #Football

🏗️ ROCK CONSTRUCTION TECHNOLOGY SARL UNE VISION. UN SAVOIR-FAIRE. DES RÉALISATIONS. Il ne suffit pas de construire ; il faut avoir une vision capable de transformer une ambition en une réalisation remarquable. Dans cette dynamique, Rock Construction Technology SARL se distingue par son engagement dans la construction, la rénovation et les solutions techniques, avec une attention portée à la précision, à l’innovation, à la qualité et à la durabilité. À sa tête, l’Ingénieur @ClmentKatendeJ1 incarne une vision moderne de l’ingénierie et de la construction. Son expertise, sa rigueur et son esprit bâtisseur contribuent à faire de chaque projet une opportunité de créer du solide, du moderne et du durable. 🌍 De la République démocratique du Congo au reste du monde, Rock Construction Technology SARL accompagne les ambitions et donne forme aux projets. 🧠 Ingénieur Junior Katende — une vision d’avenir, une expertise au service de la construction. 📞 092 116 6026 ROCK CONSTRUCTION TECHNOLOGY SARL Construire avec précision. Bâtir pour durer. @Presidence_RDC @PrimatureRDC @ClmentKatendeJ1 @MuadiLaeticia #Construction #Innovation #Durabilité

FROM THE STREETS OF SAN SEVERO TO THE "STANFORD SOCIAL INNOVATION REVIEW": "TEATRO EDICOLA" BECOMES AN INTERNATIONAL CASE STUDY SOURCE: https://www.sanseverocitta.it/dalle-strade-di-san-severo.../ SAN SEVERO (FG) - Six persons enter a newsstand. Before them there are no newspapers, periodicals, or tobacco, but rather a theatrical stage of less than two square metres. The actors stand but a few paces from the spectators, with scarcely any separation betwixt performer and beholder. It is thus that a place abandoned for years in San Severo hath been restored to life. And today that modest theatrical experiment hath come under the glare of international attention. This is the history of the Teatro Edicola, the project realised by the company Foyer '97, under the artistic direction of Francesco Gravino, which hath transformed a former newsstand in Via Tondi into one of the smallest stages hitherto conceived. The project commenced on 27th March last with a formula at once simple and singularly original: six seats, a most circumscribed scenic space, and performances of but a few minutes' duration. A minimal distance betwixt public and interpreters that doth wholly transfigure the traditional relation between spectator and theatre. The wager, however, was immediately rewarded by the public. More than sixty persons attended the performances in a single afternoon, and the three days of the inaugural season recorded a complete sold-out. From a local experiment, the Teatro Edicola hath thus become a case capable of attracting attention far beyond the confines of the Province of Foggia. In September 2026, the Stanford Social Innovation Review, the journal of Stanford University, shall publish upon its website and in its Fall 2026 print edition the reportage "The Six-Seat Revolution", authored by Dr Luciano Magaldi Sardella and overseen editorially by Deputy Editor David V. Johnson. The interest of the American review doth not concern merely the originality of the theatrical proposition. The Teatro Edicola is, indeed, observed as a potential exemplar of low-cost social innovation and urban regeneration. The notion is particularly compelling in a country such as Italy, wherein numerous newsstands have ceased their activity and risk becoming vacant interstices within the urban fabric. The question, at bottom, is simple: may a place born to vend newspapers become anew a locus of encounter? In San Severo the answer hath been entrusted to the theatre. The newsstand hath not been merely restored in corporeal terms. It hath changed its function, transmuting itself into a place wherein artists encounter the public directly and wherein the performance becometh part of the quotidian life of the street. "The theatre cometh into the street wherein thou walkest every day," explained Francesco Gravino, thereby synthesising the philosophy underpinning the project. And it is precisely this aspect which hath rendered the experiment compelling also upon the plane of its possible replicability. Initial requests for information have already arrived from other cities, amongst them Lucca and Rome, desirous of apprehending the model and the modalities for its realisation. The strength of the Teatro Edicola resideth also in its apparent disproportion: a minimal investment and space to produce a far greater cultural effect. There is no need for a grand theatre, an auditorium of hundreds of seats, or complex structures. An unused space, an idea, and the will to restore it to the community suffice. That former newsstand in Via Tondi, therefore, narrateth something that transcendeth theatre itself. It narrateth the possibility of reconceiving the spaces of our cities, restoring a social function to places that seemed to have lost it definitively.

“TEATRO EDICOLA” OF SAN SEVERO BECOMES AN INTERNATIONAL CASE STUDY IN THE “STANFORD SOCIAL INNOVATION REVIEW (SSIR)” — STANFORD UNIVERSITY SOURCE: https://l1nq.com/rruntbb LA GAZZETTA DI SAN SEVERO SAN SEVERO (FG) — Six persons enter a news kiosk. Before them lie no newspapers, magazines, or tobacco, but a theatrical stage measuring less than two square metres. The actors stand but a few paces from the spectators, with scarce any separation betwixt those who perform and those who behold. It is in this manner that in San Severo a place abandoned for years hath begun to live anew. And today that diminutive theatrical experiment hath fallen beneath the glare of international attention. It is the story of the “Teatro Edicola”, the project realised by the company Foyer ’97, under the artistic direction of Francesco Gravino, which hath transformed an old news kiosk in Via Tondi into one of the smallest stages ever conceived. The project commenced on 27th March last, with a formula as simple as it is original: six seats, a stage of most exiguous dimensions, and performances lasting but a few minutes. A minimal distance betwixt public and performers that doth wholly alter the traditional relationship betwixt spectator and theatre. The wager, however, was forthwith rewarded by the public. More than 60 persons attended the performances in a single afternoon, and the three days of the inaugural season registered a complete sold-out. From a local experiment, the “Teatro Edicola” hath thus become a case capable of attracting attention far beyond the confines of the Province of Foggia. In September 2026, the Stanford Social Innovation Review (SSIR), the journal of Stanford University, shall publish upon its website and in its Fall 2026 print edition the reportage “The Six-Seat Revolution”, authored by Dr Luciano Magaldi Sardella and edited by Deputy Editor David V. Johnson. The interest of the American review concerneth not merely the originality of the theatrical proposition. The Teatro Edicola is, in fact, observed as a potential paradigm of social innovation and low-cost urban regeneration. Become a Medium member The idea is particularly compelling in a country such as Italy, wherein numerous news kiosks have ceased their activity and risk becoming vacant interstices within the urban fabric. The question, at bottom, is simple: can a place born to sell newspapers become once more a locus of encounter? In San Severo, the answer hath been entrusted to the theatre. The kiosk hath not been merely restored in a physical sense. It hath changed its function, transforming itself into a place where artists encounter the public directly and where the performance becometh part of the quotidian life of the street. “The theatre cometh into the street wherein thou walkest every day,” Francesco Gravino hath explained, thus synthesising the philosophy underpinning the project. And it is precisely this aspect that hath rendered the experience interesting also upon the plane of its potential replicability. Initial requests for information have already arrived from other cities, amongst them Lucca and Rome, interested in learning of the model and the modalities for its realisation. The strength of the Teatro Edicola resideth also in its apparent disproportion: a minimal investment and space to produce a cultural effect far greater. There is no need for a grand theatre, an auditorium of hundreds of seats, or complex structures. An unused space sufficeth, together with an idea and the will to restore it to the community. That old kiosk in Via Tondi, therefore, recounteth something that goeth beyond the theatre. It recounteth the possibility of rethinking the spaces of our cities, restoring a social function to places that seemed to have definitively lost it.

Anthropic a annoncé avoir stoppé plusieurs utilisations malveillantes de son IA Claude, y compris des opérations de surveillance visant des dissidents et des minorités ethniques, ainsi que des tentatives de conception d'armes et de réalisation de recherches biologiques douteuses. #IntelligenceArtificielle #Sécurité #Escroqueries

🚨 ALERTE ! Le streamer ANYME révèle que la première chose qu’il a faite en devenant millionnaire a été d’acheter une maison pour ses parents 🙏🏻 En seulement 1 an et demi, il est passé de travailler à McDo à multi-millionnaire… https://t.co/RGrj3p2S43 #Inspiration #Succès #Réalisation

VICTOIRE ! Les Merlus décrochent leur premier succès de la saison à Bollaert grâce à une réalisation de Mamadou Koné ! #RCLFCL https://t.co/Dlb65VRyvu #victoire #football #Ligue1

QUI FINIRA SOULIER D’OR EUROPÉEN CETTE SAISON ? 🤔🇪🇺 Cette saison, les 3 premiers de la saison dernière devraient se battre pour ce titre et succéder à Harry Kane : 🏴󠁧󠁢󠁥󠁮󠁧󠁿 Harry Kane 🇳🇴 Erling Haaland 🇫🇷 Kylian Mbappé ❓ Autre joueur La saison passée, c’est Harry Kane qui avait terminé Soulier d’Or avec 36 réalisations. ⚽️ Les cartes 2026/27 sont désormais disponibles en Early-Access sur @sorare. 🆕 🤝 En collaboration avec Sorare #SoulierDor #Football #Sorare