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TheVR Pisti wrote that he will need at least a week to prepare the playthrough of Hellraiser: Revival in such a way that he won't have to cut out half of the material and that YouTube won't "kill" it. He added that he doesn't know how others do it, but he thinks it won't be easy. https://t.co/CqGA8RYOfO #Hellraiser #játék #YouTube (translated)

PlayStation News reported that VGC had noted that Evening Star, the studio behind Sonic Mania, was developing the revival of Ape Escape. It also indicated that, according to the outlet, Sony had given several of its classic IPs to smaller external studios in an attempt to revive those franchises. https://t.co/XAYeZkZXwX #ApeEscape #Videojuegos #Sony (translated)

🇩🇪 S&P Global on #inflation: "Turning to prices, September's flash results indicated a revival in inflationary pressures across the private sector. Input costs rose at the quickest rate for four months and one that was well above the long-run series average, with surveyed firms https://t.co/tRvo3mLd27 #inflation #prices #economy #DE

Ce qui est bizarre ds ce revival des gilets jaunes, c’est de voir la presse mainstream en assurer elle-même la promotion. En 2018, elle n’avait rien vu venir. En 2026, elle semble presque vouloir faire apparaître le phénomène avant qu’il n’existe vraiment https://t.co/ENLnGcalJr #GiletsJaunes #Presse #Revival

Steam ha sufrido una vulneración y por ende se han filtrado los trofeos de muchos juegos que saldrán en los próximos meses: ▫️ Ace Combat 8. ▫️ Final Fantasy VII Revelation. ▫️ Persona 4 Revival. ▫️ Persona 6. ▫️ Tomb Raider Legacy of Atlantis. ▫️ Stranger Than Haven. ▫️ Control Resonant. ▫️ Dragon Ball Xenoverse 3. #Steam #Juegos #Filtraciones

The GIO Festival Captures the Attention of Broadway World: International Spotlight on the Staged World Premiere of Umberto Giordano’s Marina SOURCE: https://www.linkedin.com/pulse/gio-festival-captures-attention-broadway-world-staged-sardella-ph-d--pw1qe/ SOURCE: https://www.immediato.net/2026/08/20/il-gio-festival-conquista-broadway-world-riflettori-internazionali-sulla-prima-scenica-di-marina-di-umberto-giordano/ The prestigious American outlet has devoted an extensive feature to the production presented at the Teatro Giordano in Foggia. The opera, composed in 1888 and left without a true staging for almost 140 years, has returned to life within the festival directed by Gianna Fratta and Dino De Palma. The staged world premiere of Marina, a youthful work by Umberto Giordano, has brought Foggia onto the pages of the international press. Broadway World, a US publication specialising in the performing arts, has dedicated a substantial article to the production presented on 5 June at the Teatro Umberto Giordano as part of the GIO Festival. Luciano Magaldi Sardella, in a communication sent to several editorial offices, highlighted the international resonance of the event, noting that it has attracted attention even overseas. The title chosen by Broadway World is unequivocal: “Marina, Umberto Giordano’s Lost Opera, Makes World Stage Premiere in Foggia.” An opera left in the shadows for nearly 140 years Marina was composed in 1888 by Giordano, then barely in his twenties and still a student at the Naples Conservatoire. The opera was submitted to the second edition of the Sonzogno Competition in Milan, but did not win and remained essentially forgotten for decades, even as the composer from Foggia would later achieve acclaim with works such as Andrea Chénier and Fedora. According to the feature, the score received its first concert performance only at the beginning of 2026 at the Teatro Dal Verme in Milan. The Foggia production, however, marked the opera’s true staged debut, in the theatre that bears Giordano’s own name. The staged premiere at the Teatro Giordano The production was presented on 5 June during the GIO Festival. Artistic direction was entrusted to Gianna Fratta and Dino De Palma, while the staging was directed by Giandomenico Vaccari. As reported by Broadway World, the production relocated the narrative to the period of the First World War, emphasising the dramatic and realistic character of the opera. Valeria Sepe performed in the role of Marina, while the Orchestra Sinfonica of the Conservatorio Umberto Giordano in Foggia was conducted by Matteo Dal Maso. The cast also included Samuele Simoncini as Giorgio Lascari, Elia Fabbian and Cüneyt Ünsal, and the Chorus of the Fondazione Teatro Petruzzelli, prepared by Marco Medved. Broadway World celebrates Foggia The American publication underscores the historical significance of the initiative and the bond between the composer and his native city. The symbolic value is considerable: in the theatre named after Giordano, Foggia has hosted for the first time the complete staged version of an opera that had remained outside the repertoire for more than a century. The feature also highlights the musical quality of the score, described as surprisingly mature for the composer’s age and already capable of anticipating elements that would later characterise Giordano’s subsequent works. A festival spanning Foggia, the Gargano and the Monti Dauni The GIO Festival—Giordano International Opera Festival—was promoted by the Chamber of Commerce of Foggia in partnership with the Municipality and the Province, with support from the Region of Apulia and Puglia Culture. The initiative involved not only the provincial capital but also the Gargano and the Monti Dauni, with a programme ranging across opera, jazz, cinema, dance, chamber music and scientific outreach. The festival concluded on 20 June with Andrea Chénier in Piazza Cavour, in a production originating at La Scala in Milan and brought to Foggia for the occasion. Gianna Fratta conducted the Chorus and Orchestra of the Teatro Petruzzelli. Foggia’s image beyond Italy’s borders The prominence achieved by Marina also represents an important result for the region’s cultural profile. The festival’s narrative seeks to enhance Foggia’s cultural heritage through one of its most emblematic figures. The appearance of the production on the pages of Broadway World reinforces this international dimension, transforming the revival of a forgotten opera into an opportunity for cultural promotion for the entire Capitanata.

THE WORLD PREMIERE OF MARINA AT FOGGIA’S “UMBERTO GIORDANO” THEATRE AND THE GIO FESTIVAL REACH THE STAGE OF NEW YORK’S BROADWAY WORLD SOURCE: https://www.linkedin.com/pulse/world-premiere-marina-foggias-umberto-giordano-gio-sardella-ph-d--fckpe/ SOURCE: https://www.broadwayworld.com/bwwopera/article/MARINA-Umberto-Giordanos-Lost-Opera-Makes-World-Stage-Premiere-in-Foggia-20260816?fbclid=IwY2xjawTvAJtwZG9mAWV4dG4DYWVtAjEwAGJyaWQRMFVieGZUZjlJTHlycjJucmVzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEeb4UykSs2J3TSMIe2ngfG85cNUsT_wKgdcTP_6Qz1gaj8KV8pw8dJ7nU5Fk0_aem_Zewl9iCLWLv80771fs7YOg TITLE: MARINA, UMBERTO GIORDANO'S LOST OPERA, MAKES WORLD STAGE PREMIERE IN FOGGIA. As a native of Foggia, I am profoundly delighted to share my article, published alongside New York City editor Rachel Stone, on the prestigious... BROADWAY WORLD (NEW YORK CITY) — the world’s largest international platform devoted to theatre and opera, with over 5.5 million monthly global visits. The outlet has released an in‑depth feature on the world premiere of Marina by Umberto Giordano, presented in Foggia by the GIO Festival (Giordano International Opera Festival). A RECOGNITION THAT TRANSCENDS MERE REPORTAGE The New York publication describes the revival of Marina as a historic event for global operatic culture, emphasising the artistic, philological, and production excellence of the project, as well as Foggia’s emerging centrality as a locus of cultural innovation. A DECISIVE STEP FOR FOGGIA AS A NATIONAL AND INTERNATIONAL CAPITAL OF OPERA This international coverage: - strengthens global visibility for the Festival and the Umberto Giordano Theatre; - enhances the value of the artists, technicians, and institutions involved; - confirms Foggia’s role as a new international centre for contemporary opera. We are proud to see our territory portrayed from New York as a place capable of generating culture, vision, and future.

O povo russo vive numa ditadura que espartilha os seus direitos e que procura expandir a agenda imperialista e revivalista da era soviética. Esta não é a hora de acusar fadigas de guerra. É a hora de ser firme, com responsabilidade, com um regime que não vai parar de nos testar. #Ditadura #Imperialismo #Responsabilidade #RU

„Ukazuje se, že forma slušné a diplomatické komunikace je pro někoho těžko pochopitelná.“ Celé vyjádření @prezidentpavel k Macinkově revivalu SMS kauzy máte na @Aktualnecz ⬇️ ✉️ https://t.co/j8rRSPUD1Z What a week huh? Captain, it's Wednesday. https://t.co/V8OpiyuFFy #komunikace #diplomacie #politika

Es curioso ver cómo varios juegos que probablemente estaban previstos para lanzarse entre noviembre y diciembre terminaron retrasándose hasta febrero de 2027. ▫️ God of War Laufey. ▫️ Fable. ▫️ Metro 2039. ▫️ Tomb Raider LoA. ▫️ Persona 4 Revival. Todo para evitar a GTA 6. https://t.co/CnYjI90EFg #Videojuegos #Lanzamientos #Gamer

SORTIES : Le mois de Février 2027 est particulièrement agressif en grosses sorties avec désormais en 12 jours à peine ⬇️ • Tomb Raider Legacy of Atlantis (12 Février 2027) • God of War Laufey (16 Février 2027) • Persona 4 Revival (18 Février 2027) • Fable (23 Février 2027) • Metro 2039 (Février mais sa date précise sera peut être révélée à la Gamescom) #JeuxVidéo #SortiesJeux #Gaming2027

London newcomers Mouth Ulcers announce debut EP ‘Silent Pictures’, set for release July 10th via LAB Records. Emerging from the capital’s shadowy underground, the fast-rising four-piece are redefining modern goth through a lens of post-punk revivalism and cinematic atmosphere. Formed in 2025 by vocalist/guitarist Zak Watson, alongside Josephine Rose (guitar/vocals), Jamie-Lee Culver (bass) and David Zbirka (drums), the group have quickly evolved from a spontaneous studio experiment into one of the UK’s most talked-about acts. https://hvdommelen.nl/lp/MouthU.html