Alison Field, mother of 12-year-old James with non-verbal autism, criticizes the Irish government for failing families in the special needs sector, highlighting their struggles in securing resources and support in light of her family’s experience featured in Eric Roberts' documentary, Crisis In The Classroom. #CrisisInTheClassroom #SpecialNeeds #AutismAwareness
The author said that the Belgian Parliament’s Foreign Affairs Committee agenda for October 7 included a request to screen a Nazi documentary identified as NAZA. They described the proposal as disgusting and said it had been submitted by Groen/Ecolo, which they called the green party. #Belgium #ForeignAffairs #Documentary #BE
The author wrote that the Belgian Parliament’s Foreign Affairs Committee agenda for October 7 included a request to screen the documentary “NAZA,” which they referred to as “NAZI.” They said Groen/Ecolo had submitted the proposal and described it as disgusting. #Belgique #Histoire #Politique #BE
The author said the film *Will We Let AI Kill People? – Inside the Global Effort to Stop Autonomous Weapons* was available on YouTube and invited people to watch it. They said it followed diplomats and NGOs for two years as they worked to create a new treaty.
„The Russian analytical center ‚Rybar‘ is preparing a documentary series dedicated to the current socio-political and economic situation in Europe. We want to tell our audience about processes and trends, talk to politicians, journalists, opinion leaders and public figures,“
A Russian TV crew, part of the Rybar propaganda operation, was exposed in Prague while attempting to gather material for a pro-Putin documentary, leading to their hasty departure as investigative reporters from Seznam Zprávy uncovered their connections to Russian intelligence and ongoing activities within the EU. #Rybar #ruskápropaganda #dezinformace
Proti izraelským dokumentaristům Ráchel Szor a Juvalu Abrahamovi se doma zvedla mocná vlna nenávisti. Za jejich film NAZA hyperkritický vůči postupu IDF v Gaze je nazývají zrádci a volají po sebrání občanství. Film jsem zatím neviděl, útoky se vší rozhodností odsuzuji. Izrael #Izrael #Zrádci #Documentary #IL
16 September 1941 | A Polish prisoner, Tadeusz Szafran (no. 321), perished in Auschwitz. Tadeusz Szafran was born in August 1922. He was a middle-school student. He was among the 728 men deported from Tarnów to Auschwitz on 14 June 1940, in the first transport of Polish men to the camp. On 10 September 1941, he was detained in the camp prison in Block 11 for an attempt to escape from the penal company. He was 19 years old. ▶ Two films about the first transport of Poles to Auschwitz. Documentary: https://t.co/Vx0ooc0Dxt A short Video History episode: https://t.co/jM1J7d26o8 #Auschwitz #Holocaust #Poland
I watched this documentary on Amazon Prime last night. This fascinating mystery is based on 32 new photos of 9/11 from a previously unknown camera found in the rubble of the World Trade Center. It was full of memories from real people who were at the World Trade Center that day. https://t.co/n3qEzHTJqT #911Documentary #WorldTradeCenter #AmazonPrime #US
Solidarity rises when we share knowledge and solutions. @UNESCO CI Sector supports South-South cooperation to advance: Freedom of expression • Safety of journalists • Human rights-centred AI • #MIL • Documentary heritage. Building inclusive, innovative societies together. https://t.co/a1jYUlUfzM #FreedomOfExpression #HumanRights #SouthSouthCooperation #Nospecificcountrycodesarementionedinthetweet.
In preparation for tomorrow’s 25th anniversary, President @realDonaldTrump gave a unique interview on what happened in New York on 9/11 and where we are today with him as our Commander-in-Chief leading the destruction of our Jihadi enemies. See the historic documentary starting https://t.co/Kxhh42wvmB #911Anniversary #Trump #JihadistThreat #US
“BROADWAY WORLD” OF NEW YORK WELCOMES THE TEATRO MERCADANTE OF CERIGNOLA IN THE NAME OF THE MASCAGNI FESTIVAL SOURCE: https://www.linkedin.com/pulse/broadway-world-new-york-welcomes-teatro-mercadante-sardella-ph-d--i5mbe/ by Stephi Wild, New York City. SOURCE: https://www.broadwayworld.com/italy/article/Photos-Teatro-Mercadante-and-Teatro-Goldoni-Partner-on-SOUNDTRACK-MASCAGNI-20260827 The most influential theatrical portal in the world, with at least six million global visitors per month, consecrates the cultural twinning between Cerignola and Livorno and the historical restitution of a verismo born in Puglia, southern Italy: there exists a moment when a local history ceases to be peripheral and, by the mere fact of being recounted in the right place, becomes universal history. That moment, for the Teatro Mercadante di Cerignola, has arrived. Broadway World, the bible of international theatre read daily by producers, artistic directors and critics from New York to the West End, has welcomed into its pages the cultural pact between the Mercadante and the Fondazione Teatro Goldoni of Livorno, sealed in spring 2026 by Artistic Director Savino Zaba and the Municipal Administration in the person of the Deputy Mayor and Commissioner for Culture, Maria Dibisceglia. The piece is signed by New York editor Stephi Wild, under the title: “Photos: Teatro Mercadante and Teatro Goldoni Partner on SOUNDTRACK MASCAGNI”. It is no mere detail. Broadway World does not review provincial seasons. When it does, it is signalling to the American and global theatrical system that something, down there, deserves to be seen. The heart of this recognition is Soundtrack Mascagni: the music that inspired cinema, the cinema that celebrated Mascagni, the co-production chosen as the closing event of the VII edition of the Mascagni Festival. A hybrid work, a concert-reading for narrating voice, ensemble, images and sounds, with dramaturgy and text by Vittorio Giacci, performed by the Artists of the Mascagni Academy and the Orchestra of the Teatro Goldoni di Livorno “Massimo de Bernart” conducted by Maurizio Colasanti. On stage, in the guise of an imaginary Mascagni, as narrator and guide through his own musical universe, the actor-director Maurizio Nichetti. A production, as the Italian notes record, “born from the synergy between the Teatro Mercadante di Cerignola and the Teatro Goldoni di Livorno”, which will see on stage the great actor and director Maurizio Nichetti and the Orchestra of the Goldoni, conducted by Maestro Maurizio Colasanti, with direction entrusted to Marco Voleri and Savino Zaba. What Broadway World has intercepted, moreover, is not merely a production but also a historiographical thesis that at last forces the international literature to catch up. For decades, Anglophone biographies have dismissed Pietro Mascagni’s Apulian decade as “years of poverty and obscurity”: the documentary truth, preserved in the Polo Museale of Piano San Rocco, is of a different temper entirely. In December 1886, on tour with the Maresca company, Mascagni stopped in Cerignola, where the mayor then in office, Commendatore Cannone, invited him to remain to conduct the newly founded philharmonic. The composer would stay, save for brief absences, in the house in Via Assunta until 1895, composing no fewer than five operas: Cavalleria rusticana; L’amico Fritz; I Rantzau; Guglielmo Ratcliff; Silvano. A third of his entire operatic output, written in feverish poverty, in an agricultural town of the Ofantine plain. It was there, in July 1888, that the verses of Cavalleria reached him by postcard from Livorno, sent by his poet friends Giovanni Targioni-Tozzetti and Guido Menasci. There, on 27 May 1889, he completed the autograph. The envelope, that morning, bore the postmark of Cerignola. The world premiere at the Costanzi in Rome, on 17 May 1890 before Queen Margherita, was an earthquake. As Zaba has synthesised it, in a formula destined to endure: “Livorno gave Mascagni to the world. Cerignola inspired him and kept the deepest part of his soul.” In fact, the productive parabola sanctioned by BroadwayWorld is exemplary in the way it overturns the traditional North-South axis of cultural projects. It begins on 23 August at the Mascagni Festival in Livorno with Soundtrack Mascagni. Then its debut in Cerignola, in the course of the Mercadante’s forthcoming season. Indeed, with a date already fixed: “Soundtrack Mascagni” will be presented in Cerignola on 24 October as the opening production of the 2026/2027 theatrical season of the Teatro Mercadante. An idea as simple as it is revolutionary: cinema as a lens through which to re-read Mascagni. The composer plundered by Scorsese and Coppola, cited by Visconti as a tutelary deity, already possessed in his own writing — dense, symphonic, almost edited by cuts — a cinematic vocation. Soundtrack Mascagni does not merely celebrate that filiation; it interrogates it. That BroadwayWorld should have chosen to capture precisely this — a provincial theatre that does not seek hospitality but co-produces as an equal with a historic theatre such as the Goldoni — says much about the shifting of Italy’s cultural axis. No longer a South that imports, but a South that generates archives, that preserves autographs, caricatures, unpublished letters, and restores them to the international circuit. For Cerignola, accustomed to being narrated as a land of wheat and not of music, this arrival on Broadway World is more than a press clipping. It is the certification that its Mascagni story is no longer a local footnote, but a necessary chapter in the history of verismo. And that the Mercadante, from a provincial municipal theatre, has entered in full right the ranks of those Mascagni theatres upon which the whole world now looks, and with admiration.
SXR Music Group Launches Its Own MCP Server. Our Catalog Is Now Answerable by AI Assistants FOR IMMEDIATE RELEASE SXR Music Group launches its own MCP server SXR Music Group today announced the launch of its own Model Context Protocol (MCP) server, making the label group one of the first independent music companies whose catalog, sync licensing and release data can be queried directly from AI assistants such as Claude and ChatGPT. Instead of logging into a dashboard, artists, sync supervisors, journalists and partners can now simply ask: "Which SXR tracks are cleared for a documentary about the sea?" or "Is the Todd & Karen limited edition 12-inch still in stock?”, and get an answer straight from SXR's live systems. What the server does The SXR MCP server currently exposes seven read-only tools: search_catalog: search 150+ tracks across every signed artist by artist, title, album, genre or mood. sync_licensing: browse tracks pre-cleared for film, TV, advertising and games, filtered by genre, mood or BPM. physical_releases: live vinyl and CD stock levels, prices and preorder availability. artist_analytics: cross-platform artist insight combining Spotify, Last.fm and Songstats data. presave_analytics: views, clicks, pre-saves, top territories and services for SXR Connect campaigns. list_smart_links: your own SXR Connect smart links, slugs and short codes. lookup_release: resolve any UPC, ISRC or streaming URL into cross-platform links and metadata. Built on open standards, secured per user The server runs on the open Model Context Protocol and is protected by OAuth 2.1. Each user signs in with their own SXR account, and every tool acts strictly on their behalf, no shared keys, no exposed data. Human music, modern plumbing SXR Music Group remains firmly committed to human-made music and has consistently opposed AI-generated recordings. The MCP server is deliberately about access, not generation: it makes real music by real people easier to find, license and sell. "We have never wanted machines to write the songs," the label says. "But if a sync supervisor can find the right human-made record in ten seconds instead of ten emails, that is a win for the artist." Availability The SXR MCP server is live now and free to connect. Setup instructions and the endpoint are available at subexile.com/mcp. Press contact: [email protected] #ModelContextProtocol #MCP #MusicIndustry #MusicTech #AI #IndependentMusic #Innovation #DataAPI #SXRMusicGroup #Subexile #ModelContextProtocol #MCP #AI #ArtificialIntelligence #MusicIndustry #MusicBusiness #IndependentMusic #IndieMusic #MusicTech #MusicTechnology #TechInnovation #Innovation #B2B #SaaS #DataAPI #API #DeveloperTools #ClaudeAI #ChatGPT #SyncLicensing #MusicCatalog #PhysicalMusic #Vinyl #MusicDistribution #RecordLabel #AIMusic #HumanMusic
For 12-year-old Anujin in #Ulaanbaatar, getting water means carrying 60–70L over uneven roads & sometimes facing aggressive dogs 💧 Her story reflects the daily reality for thousands of girls in #Mongolia Watch the documentary from @Cop17Mongolia https://t.co/dKvhW5AcMK #cop17 #Ulaanbaatar #Mongolia #WaterAccess #MN
🎬 A must-watch documentary on how militarism, extractivism & technology turn entire regions into intoxicated pacified fiefdoms for exploitation. Palestine and every Indigenous people resisting, are crushed the same way. https://t.co/N7HXRJ02jj https://t.co/6V2StnZahx #Documentary #Militarism #IndigenousRights #PS
23 August is the International Day for the Remembrance of the Slave Trade and its Abolition. @UNESCO’s Memory of the World Programme preserves documentary evidence, safeguarding historical truth and challenging denial. Because what we choose to remember shapes the future. https://t.co/ylpLZmHtFx #SlaveTradeRemembrance #Abolition #HistoricalTruth #Thetweetdoesnotmentionanyspecificcountries.Therefore #therearenocountrycodestoreturn.
This is not a regular interview. This is an exceptionally well-produced documentary featuring Ross Coulthart , exploring what is known about Soviet UFOs and alleged crashed saucers. It brings together a wealth of new information, historical context, and details about the Soviet #SovietUFOs #Documentary #UAP #RU
Through #MoWLAC, @UNESCO helps safeguard documentary heritage and ensure that Indigenous languages, knowledge, and voices reach future generations. 👨👧👨👦 #DocumentaryHeritage #IndigenousLanguages #CulturalPreservation #Nospecificcountrycodesarementionedinthetweet.
