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The author expressed solidarity with Panama after a powerful earthquake, writing that it was a reminder that people were part of one human family beyond the chessboard. They added that the chess community had long brought together people from different countries, cultures and backgrounds. https://t.co/1TCVdIOm8E #Panama #Earthquake #Humanity #PA

The author said their Emergency Response Coordination Centre was monitoring the situation in Panama after a major earthquake struck that night. They expressed solidarity with the people of Panama and said they were ready to provide support if requested. #Panama #Earthquake #EmergencyResponse #PA

The post said the EU continued to support communities affected by the earthquake that hit Colombia on 10 August. It reported that two EU-funded flights had landed in Bogotá carrying more than 20 tonnes of essential shelter supplies, and said affected Colombians were not alone and had Europe’s support. https://t.co/rWKQP9Fzez #Colombia #Terremoto #AyudaHumanitaria #CO #EU (translated)

“If everything you offered wasn’t enough, offer your absence” - Mario Benedetti “The 15 Million Men America Has Lost to Marriage America has a problem that is remarkably difficult to discuss without changing the subject: young men are disappearing from marriage. In 2000, there were 20.7 million unmarried men aged 20–39 and 18.1 million married men—a gap of 2.6 million. By 2025, there were 30.4 million unmarried men but only 15.4 million married men. The gap had exploded to roughly 15 million. That is not a minor cultural adjustment. It is a demographic earthquake. The explanation cannot simply be that men have become unwilling to “grow up.” Economic and educational changes matter. Unpartnered men have lower education, employment and earnings than partnered men. In 2019, 26% of unpartnered prime-working-age men had a bachelor’s degree, compared with 37% of partnered men. Meanwhile, women have made enormous gains in education and economic independence. Marriage is therefore no longer an economic necessity for women to the same extent it once was. The consequences are visible. In 1980, 63% of Americans aged 25 were married; by 2021, only 22% were. The share with a child fell from 39% to 17%. By 2021, one quarter of 40-year-olds had never married, compared with 6% in 1980. And 39.5% of U.S. births in 2024 occurred outside marriage. None of this proves that marriage guarantees happiness, or that being unmarried makes someone dysfunctional. Nor does the 15-million figure mean 15 million men will never marry. But pretending that family formation is irrelevant is equally absurd. A society cannot manufacture spouses for people. Nor should it. But it can create conditions in which work, competence, responsibility, commitment and family formation are attainable—and respected. Instead, we have increasingly normalised economic dependence, digital isolation and permanent adolescence while treating personal choice as though it has no social consequences. The 15-million gap is therefore more than a marriage statistic. It is a warning that millions of young men are failing to make the transition into the responsibilities of adult life” - ChatGPT

Productive exchange with Acting President @delcyrodriguezv on earthquake recovery and reconstruction in Venezuela. We welcomed progress in renewed engagement and reaffirmed the IMF's readiness to support the country through capacity development and policy advice. https://t.co/2thEXY25Tm #Venezuela #EarthquakeRecovery #IMF #VE

“BROADWAY WORLD” OF NEW YORK WELCOMES THE TEATRO MERCADANTE OF CERIGNOLA IN THE NAME OF THE MASCAGNI FESTIVAL SOURCE: https://www.linkedin.com/pulse/broadway-world-new-york-welcomes-teatro-mercadante-sardella-ph-d--i5mbe/ by Stephi Wild, New York City. SOURCE: https://www.broadwayworld.com/italy/article/Photos-Teatro-Mercadante-and-Teatro-Goldoni-Partner-on-SOUNDTRACK-MASCAGNI-20260827 The most influential theatrical portal in the world, with at least six million global visitors per month, consecrates the cultural twinning between Cerignola and Livorno and the historical restitution of a verismo born in Puglia, southern Italy: there exists a moment when a local history ceases to be peripheral and, by the mere fact of being recounted in the right place, becomes universal history. That moment, for the Teatro Mercadante di Cerignola, has arrived. Broadway World, the bible of international theatre read daily by producers, artistic directors and critics from New York to the West End, has welcomed into its pages the cultural pact between the Mercadante and the Fondazione Teatro Goldoni of Livorno, sealed in spring 2026 by Artistic Director Savino Zaba and the Municipal Administration in the person of the Deputy Mayor and Commissioner for Culture, Maria Dibisceglia. The piece is signed by New York editor Stephi Wild, under the title: “Photos: Teatro Mercadante and Teatro Goldoni Partner on SOUNDTRACK MASCAGNI”. It is no mere detail. Broadway World does not review provincial seasons. When it does, it is signalling to the American and global theatrical system that something, down there, deserves to be seen. The heart of this recognition is Soundtrack Mascagni: the music that inspired cinema, the cinema that celebrated Mascagni, the co-production chosen as the closing event of the VII edition of the Mascagni Festival. A hybrid work, a concert-reading for narrating voice, ensemble, images and sounds, with dramaturgy and text by Vittorio Giacci, performed by the Artists of the Mascagni Academy and the Orchestra of the Teatro Goldoni di Livorno “Massimo de Bernart” conducted by Maurizio Colasanti. On stage, in the guise of an imaginary Mascagni, as narrator and guide through his own musical universe, the actor-director Maurizio Nichetti. A production, as the Italian notes record, “born from the synergy between the Teatro Mercadante di Cerignola and the Teatro Goldoni di Livorno”, which will see on stage the great actor and director Maurizio Nichetti and the Orchestra of the Goldoni, conducted by Maestro Maurizio Colasanti, with direction entrusted to Marco Voleri and Savino Zaba. What Broadway World has intercepted, moreover, is not merely a production but also a historiographical thesis that at last forces the international literature to catch up. For decades, Anglophone biographies have dismissed Pietro Mascagni’s Apulian decade as “years of poverty and obscurity”: the documentary truth, preserved in the Polo Museale of Piano San Rocco, is of a different temper entirely. In December 1886, on tour with the Maresca company, Mascagni stopped in Cerignola, where the mayor then in office, Commendatore Cannone, invited him to remain to conduct the newly founded philharmonic. The composer would stay, save for brief absences, in the house in Via Assunta until 1895, composing no fewer than five operas: Cavalleria rusticana; L’amico Fritz; I Rantzau; Guglielmo Ratcliff; Silvano. A third of his entire operatic output, written in feverish poverty, in an agricultural town of the Ofantine plain. It was there, in July 1888, that the verses of Cavalleria reached him by postcard from Livorno, sent by his poet friends Giovanni Targioni-Tozzetti and Guido Menasci. There, on 27 May 1889, he completed the autograph. The envelope, that morning, bore the postmark of Cerignola. The world premiere at the Costanzi in Rome, on 17 May 1890 before Queen Margherita, was an earthquake. As Zaba has synthesised it, in a formula destined to endure: “Livorno gave Mascagni to the world. Cerignola inspired him and kept the deepest part of his soul.” In fact, the productive parabola sanctioned by BroadwayWorld is exemplary in the way it overturns the traditional North-South axis of cultural projects. It begins on 23 August at the Mascagni Festival in Livorno with Soundtrack Mascagni. Then its debut in Cerignola, in the course of the Mercadante’s forthcoming season. Indeed, with a date already fixed: “Soundtrack Mascagni” will be presented in Cerignola on 24 October as the opening production of the 2026/2027 theatrical season of the Teatro Mercadante. An idea as simple as it is revolutionary: cinema as a lens through which to re-read Mascagni. The composer plundered by Scorsese and Coppola, cited by Visconti as a tutelary deity, already possessed in his own writing — dense, symphonic, almost edited by cuts — a cinematic vocation. Soundtrack Mascagni does not merely celebrate that filiation; it interrogates it. That BroadwayWorld should have chosen to capture precisely this — a provincial theatre that does not seek hospitality but co-produces as an equal with a historic theatre such as the Goldoni — says much about the shifting of Italy’s cultural axis. No longer a South that imports, but a South that generates archives, that preserves autographs, caricatures, unpublished letters, and restores them to the international circuit. For Cerignola, accustomed to being narrated as a land of wheat and not of music, this arrival on Broadway World is more than a press clipping. It is the certification that its Mascagni story is no longer a local footnote, but a necessary chapter in the history of verismo. And that the Mercadante, from a provincial municipal theatre, has entered in full right the ranks of those Mascagni theatres upon which the whole world now looks, and with admiration.

Devastating wildfires. Floods. Earthquakes. Extreme events are becoming more frequent, in Europe and around the world. When disaster strikes, we count on our brave firefighters and first responders. They embody the best of European solidarity. https://t.co/ySqOosyO5B #ClimateChange #NaturalDisasters #Solidarity #EU

As Venezuela still recovers from the earthquakes, EU assistance continues arriving. A plane just landed carrying nearly 30 tonnes of health items and other vital supplies, donated by Hungary, Poland and the Netherlands. EU solidarity at work 🇪🇺 https://t.co/DFEPhm8RHn #Venezuela #EUSolidarity #HumanitarianAid #VE #HU #PL #NL

Our support for the people of Colombia continues following the terrible earthquake. 🇩🇪🇱🇺🇸🇪 are sending hundreds of tents, blankets and emergency equipment. €2 million in EU funds are at work to provide healthcare, shelter, clean water and food to the communities. We will help https://t.co/RyshQfXEQd #Colombia #EarthquakeRelief #EUSupport #CO #DE #LU #ES

Warm congratulations to the people of Indonesia and our esteemed counterparts in Jakarta @Menlu_RI on the occasion of Independence Day. In these difficult circumstances, our thoughts also go out to the earthquake victims, their families and the first responders. Romania 🇷🇴 #IndonesiaIndependence #Jakarta #EarthquakeResponse #ID #RO