Search

CIVICO 33 — “ORTA NOVA SOUND LAB”: FROM CAPITANATA TO “BROADWAYWORLD”, THE “COMMUNITY BAND” PROJECT CONQUERS NEW YORK SOURCE: https://www.civico93.it/orta-nova-sound-laab-dalla-capitanata-a-broadwayworld-il-progetto-banda-di-comunita-conquista-new-york/ The social laboratory promoted by ANBG and the Ministry of Culture has landed on the world’s largest theatre network, thanks to the article co-authored by Chris Rabinowitz and the Orta Nova-born author Luciano Magaldi Sardella. There is a brass thread linking Piazza Mario Frasca to Broadway. It is called “Orta Nova Sound Lab” — the Community and Social Regeneration Band through Music — the project officially presented on 21 September last at the C-Lab MAO FM 19.77 of brothers Luca and Erminio Ferrandina, which is enjoying unprecedented media coverage for a band-cultural initiative born in the Province of Foggia. Its journalistic success was sealed on 28 September last by its arrival on BroadwayWorld, the world’s most authoritative portal dedicated to theatre and live performance, based in New York with over 1.5 million global monthly visits. A result that was by no means a foregone conclusion, which projects a story from the Apulian periphery into the international cultural news circuit. The article, entitled Orta Nova Sound Lab Launches Youth Community Band in Southern Italy, is jointly by-lined by New York editor Chris Rabinowitz, journalist for the American publication, and his Italian co-author Luciano Magaldi Sardella, an international author originally from Orta Nova, engineer, academic journalist, and researcher active between Italy and abroad. The dual Italo-American by-line symbolises how a “local good practice” can become global news when it is recounted with expertise and rootedness. The Project: The Band as Social Regeneration “Orta Nova Sound Lab” is promoted by the Associazione Nazionale Bande da Giro (ANBG), chaired by Benedetto Grillo, and was admitted for funding under the public call of the Ministry of Culture pursuant to Director General Decree of 7 April 2026, reg. no. 149, aimed at the “Strengthening of research activities and dissemination of musical practices in peripheries and in areas of high social vulnerability”. It is realized with the support of the Comune di Orta Nova and with the collaboration of a solid civic network: A.P.S. MAO FM 19.77, the Istituto di Istruzione Superiore “A. Olivetti”, the Istituto Comprensivo “Sandro Pertini”, the Music Art association, and the C.I.S.A. of Foggia. As BroadwayWorld itself emphasised, this is the first initiative in Italy to reinterpret the distinctive tradition of touring bands (bande da giro) and youth orchestras within a ministerial call dedicated to urban peripheries and social vulnerability. A model that dialogues explicitly with the spirit of the so-called “Caivano Decree” (Law Decree 123/2023) for combating youth distress, educational poverty, and juvenile crime. The idea, in its disarming simplicity, was summarised by the project director for ANBG, Antonella Spagnoletti: “The band is aggregation! The band is cohesion. Bringing these youngsters together, educating them, and enabling them to live in a manner different from the social-media world is among the primary objectives of our association.” A concept reiterated by the Mayor of Orta Nova, Eng. Domenico Di Vito: “This is an important project that can certainly make a difference compared with the past, because all the ingredients are there to network the entire cultural and social world that exists in Orta Nova and that must be valorised. The administration’s commitment is to ensure sustainability, structure, and continuity over time.” Taking part in the launch press conference, moderated by journalist Giuseppe Di Bisceglie, in addition to President Grillo, Director Spagnoletti, and Mayor Di Vito, were Regional Councillor Grazia Maria Starace, Councillor for relations with the third sector Sebastiano Battista, Councillor for Culture Vittoria Mastrogiacomo, and educational professor Alfredo Coppola, contact person for the Olivetti Institute. Why the Story Went International The “Orta Nova Sound Lab” band project demonstrates that when a project has anti-mafia roots, pedagogical value, and a credible institutional network, the press responds. From local and national titles such as Cassa Armonica, Ansa Puglia, TGNorba, Corriere della Sera Bari, RaiNews TGR Puglia, La Gazzetta del Mezzogiorno, Amica9TV, Brindisi In, Blasting News Italia, TRM Network, Secolo XIX, FoggiaToday, PlayNews24, Stato Quotidiano, and many others, which thoroughly documented the conference, the coverage reached “Broadway World”, which read the Orta Nova experience as a “social laboratory” capable of answering the mafia with music. This change of scale derives from joint work and also from the liaison work carried out by Luciano Magaldi Sardella, who, together with New York editor Chris Rabinowitz, succeeded in translating for an Anglophone audience the profound meaning of a town band which, in Apulia, is not folklore, but a civil garrison, a concrete alternative to the screen and to social disintegration. In a South often narrated only for its emergencies, Orta Nova chooses to be recounted for its capacity to generate community. And this time, the news has travelled around the world, starting from a piazza in the Daunia. The Calendar The pathway, which is entirely free of charge, provides instrumental workshops for wind and percussion, ensemble music lessons, and collective rehearsals with qualified teachers and conductors, open to aspiring musicians, families, schools, and citizens. The programme that has attracted the attention of the national and now international press is structured as follows: October 2026: parade of marching bands through the streets and public spaces of Orta Nova, to recover the historic value of the band as a popular and identity-based expression. November–December 2026: high-profile concert season with the Gran Concerto Bandistico di Conversano and the Gran Concerto Bandistico “Biagio Abbate” Città di Bisceglie, an artistic training ground for young pupils. Inclusion Focus: a special evening dedicated to women in music with the Orchestra Note di Puglia, an ensemble composed entirely of professional women musicians, to reinforce the values of equal opportunities. January 2027: first official concert of the newborn Community Band of Orta Nova, a foundational act and public restitution of the work accomplished. (translated)

The author said Austria should return Nazi-looted art where restitution was justified, and pledged that, as a candidate for Federal President in 2028, they would work to make the country a global model for fair restitution, transparency and independent provenance research. https://t.co/UOBuhssJiq #Restitution #HistoricalJustice #ArtRecovery #AT (translated)

Austria’s federal president said the Benin Bronzes and other treasures from the historic Kingdom of Benin belonged in Benin City and promised to work for their return to the people and institutions of Benin. https://t.co/sWoT6eGBcv #Restitution #BeninBronzes #CulturalHeritage #AT #NG #BJ (translated)

I am shocked by @J_Bardella's reaction after the second publication from @Mediapart concerning him. It is not a matter of "gross montages" but a restitution of conversations in which he participated and during which he made anti-Semitic comments. Who then #antisemitisme #libertédepression #médiapart #FR (translated)

Le Premier ministre grec semble également réagir à des propos du directeur du British Museum, Nicholas Cullinan, dans le Financial Times, suggérant que le prêt pour dix mois de la tapisserie de Bayeux par la France au musée britannique pourrait servir d'exemple au règlement de la querelle. #Parthénon #Restitution #Culture

"Ce qu'il faut aujourd'hui, c'est la volonté politique et le courage de franchir le pas décisif, de réunir les sculptures et de transformer un différend historique en un acte unique d'amitié culturelle"Le Premier ministre grec Kyriakos Mitsotakis a appelé jeudi 24 septembre Londres à faire preuve de "courage" et de "volonté politique" pour régler la querelle historique sur la restitution des célèbres frises du Parthénon, conservées au British Museum. #Parthénon #Restitution #Culture

My proposal for criminal justice reform: WORK INSTEAD OF PRISON — wherever public safety allows. For suitable non-violent offenders, Austria should make greater use of compulsory community service, structured work programmes, restitution to victims, vocational training and https://t.co/5XIrNB02qG #CriminalJusticeReform #CommunityService #VocationalTraining #AT

Le parquet de New York a restitué à la Syrie plus de 5 millions de dollars d'antiquités, dont un relief funéraire monumental pillé à Palmyre et des mosaïques provenant d'une villa romaine, qui avaient été acheminées en contrebande par le trafiquant Georges Lotfi. #Antiquités #RestitutionCulturelle #TraficDAntiquités

AFRICA DAILY REPORT — 24 SEPTEMBER 2026 Major developments reported during the previous 24 hours 1. ETHIOPIA — Renewed war in Tigray shatters the 2022 peace deal Importance: 10/10 — Critical Tigray's regional authorities said their forces had entered a "defensive war" against federal troops after fighting escalated sharply on 23 September. Tigrayan forces seized three airports, including Mekelle, and Ethiopian Airlines suspended flights to the region. The renewed hostilities effectively rupture the Pretoria peace framework that ended the devastating 2020–2022 war and raise the risk of a wider Horn of Africa conflict. Source: Reuters — https://www.reuters.com/world/africa/ethiopias-tigray-region-government-announces-it-has-entered-defensive-war-2026-09-23/ Additional analysis: https://www.reuters.com/world/africa/why-new-war-ethiopias-tigray-threatens-trigger-wider-conflict-2026-09-23/ 2. DR CONGO / CENTRAL AFRICA — U.S. pledges another $267 million for Ebola response Importance: 9.5/10 — Critical The U.S. State Department announced an additional $267 million for the Ebola response, mainly focused on the Democratic Republic of Congo. The new pledge brings the Trump administration's commitment to approximately $886 million. Officials used the UN General Assembly to seek broader international contributions toward a $2 billion response target as the outbreak remains the second most lethal Ebola epidemic on record. Source: Reuters — https://www.reuters.com/legal/litigation/us-pledges-267-million-more-fight-ebola-central-africa-2026-09-23/ 3. SUDAN — Khartoum rejects U.S. challenge to government's legitimacy Importance: 9/10 — Very High Sudan's foreign ministry rejected U.S. State Department remarks questioning the government's legitimacy and insisted that any peace initiative must respect Sudanese sovereignty, territorial integrity and what it described as legitimate national institutions. The dispute adds another complication to international efforts to negotiate an end to the SAF–RSF war. Source: Reuters — https://www.reuters.com/world/africa/sudan-rejects-us-remarks-questioning-government-legitimacy-2026-09-23/ 4. CENTRAL AFRICAN REPUBLIC — ICC convicts former Seleka commander Importance: 8.5/10 — Very High The International Criminal Court convicted Mahamat Said Abdel Kani, a former Seleka commander, on four counts of crimes against humanity, including torture. Prosecutors said he helped run a detention centre in Bangui where perceived supporters of former president François Bozizé were beaten and tortured. He is the first former Seleka member convicted by the ICC; sentencing will be determined separately. Source: Reuters — https://www.reuters.com/world/international-criminal-court-convicts-central-african-militia-leader-2026-09-23/ 5. SOUTH AFRICA — Reserve Bank raises policy rate to 7.25% Importance: 8.5/10 — Very High The South African Reserve Bank unanimously raised its policy rate by 25 basis points to 7.25%, its second increase this year. The bank cited sustained price shocks linked to the Iran conflict and raised its near-term inflation forecasts while cutting its 2026 growth forecast to 1.2% from 1.4%. Headline inflation reached 4.4% in August and the bank expects it to exceed 5% later this year. Source: Reuters — https://www.reuters.com/world/africa/south-africas-central-bank-raises-main-interest-rate-725-2026-09-23/ 6. SOUTH AFRICA — Mass shooting at KwaMakhutha house party kills 11 Importance: 8.5/10 — Very High Three gunmen opened fire at a house party in KwaMakhutha township south of Durban, killing 11 people, including a pregnant woman. Police are investigating the attack. The incident adds to concern over South Africa's exceptionally high levels of violent crime and follows intense public debate over a recent series of killings of women in Gauteng. Source: Associated Press — https://apnews.com/article/south-africa-house-party-shooting-91416626e0cf789bf2f801061bb8b46a 7. GHANA / AFRICAN UNION — Reparations campaign gains diplomatic momentum at UNGA Importance: 7.5/10 — High Ghana's Foreign Minister Samuel Okudzeto Ablakwa said Western support for reparatory justice over the trans-Atlantic slave trade is increasing. Ghana, Germany and France co-hosted a UNGA event on the issue. The African Union and CARICOM framework initially prioritizes restitution of looted cultural artifacts, with later stages potentially addressing formal apologies, debt relief and financial compensation. Source: Reuters report — https://wtaq.com/2026/09/23/western-countries-increase-support-for-slavery-reparations-ghana-says/ 8. KENYA / AFRICA — Ruto uses UNGA to challenge international credit-rating system Importance: 7.5/10 — High Kenyan President William Ruto told the UN General Assembly that African economies face disproportionately high financing costs and argued that the international credit-rating architecture penalizes the continent. His intervention forms part of a broader African push at UNGA for reform of international financial institutions and greater representation in global economic governance. Source: People Daily Kenya — https://peopledaily.digital/business/ruto-addresses-un-general-assembly-africa-loses-ksh9-71t-to-unfair-credit-ratings 9. MALI / SAHEL — Families await answers after catastrophic Dioura military attack Importance: 8/10 — High New reporting from Mali highlights the continuing human impact of JNIM's September 10 assault on the Dioura military camp. Families are still seeking information about missing soldiers after one of the most serious attacks on Mali's armed forces in recent years. Earlier reporting indicated that more than 100 soldiers may have been killed, illustrating the continued deterioration of security in the central Sahel. Source: AFP — https://www.afp.com/en/anguish-grips-mali-families-after-military-camp-massacre 10. UGANDA — Public debt rises 14.8% in a year Importance: 7/10 — Significant Uganda's public debt increased by 14.8% in the 12 months to June 2026, driven in part by increased domestic borrowing. The rise is significant for fiscal sustainability and debt-service costs as Uganda prepares for major infrastructure and oil-sector spending while facing broader pressure on its currency and public finances. Source: Reuters — https://www.reuters.com/world/africa/ugandas-public-debt-rises-15-surge-domestic-issuance-2026-09-24/ #Africa #AfricaNews #TopNewsOfAfrica #DRCongo #CentralAfrica #Ebola #EbolaOutbreak #EbolaResponse #PublicHealth #HealthSecurity #HumanitarianAid #UnitedStates #GlobalHealth #SouthAfrica #SouthAfricanReserveBank #SARB #InterestRates #MonetaryPolicy #Inflation #EconomicGrowth #AfricanEconomy #FinancialMarkets #Ethiopia #Tigray #TigrayConflict #PretoriaPeaceAgreement #HornOfAfrica #ArmedConflict #PeaceAndSecurity #RegionalStability #AfricanSecurity #Geopolitics #AfricaToday #wrldorg

🚨 BREAKING: The Trump DOJ has charged 12 IMMIGRANTS from Somalia, Syria, Afghanistan, Sudan, and Iraq for running $10 MILLION-worth of FAKE daycare fraud schemes in California 9 of them came into the country as "ASYLUM SEEKERS" or TPS NEWSOM IS COMPLICIT by working to COVER ALL OF THIS UP, and should face charges HIMSELF. Per @AAGMcDonald: "These 12 ghost daycares billed the taxpayer more than $10 million. Money that should have gone to feeding, protecting, and supporting our children." One man, Mohamad Alawad, received over $1.2 MILLION for purportedly providing daycare services. Yet, Alawad WASN'T EVEN IN AMERICA for 120 days he was billing taxpayers for his "home daycare" services. THE CHARGES ARE AS FOLLOWS: WIRE FRAUD – Title 18, U.S.C., Section 1343 • Maximum penalty: Twenty years in prison and $500,000 fine MONEY LAUNDERING – Title 18, U.S.C., Section 1957 • Maximum penalty: Twenty years in prison and $500,000 fine And of course, they'll be forced to pay restitution to taxpayers. Throw the BOOK at them! https://x.com/nicksortor/status/2099943188173594800

“BROADWAY WORLD” OF NEW YORK WELCOMES THE TEATRO MERCADANTE OF CERIGNOLA IN THE NAME OF THE MASCAGNI FESTIVAL SOURCE: https://www.linkedin.com/pulse/broadway-world-new-york-welcomes-teatro-mercadante-sardella-ph-d--i5mbe/ by Stephi Wild, New York City. SOURCE: https://www.broadwayworld.com/italy/article/Photos-Teatro-Mercadante-and-Teatro-Goldoni-Partner-on-SOUNDTRACK-MASCAGNI-20260827 The most influential theatrical portal in the world, with at least six million global visitors per month, consecrates the cultural twinning between Cerignola and Livorno and the historical restitution of a verismo born in Puglia, southern Italy: there exists a moment when a local history ceases to be peripheral and, by the mere fact of being recounted in the right place, becomes universal history. That moment, for the Teatro Mercadante di Cerignola, has arrived. Broadway World, the bible of international theatre read daily by producers, artistic directors and critics from New York to the West End, has welcomed into its pages the cultural pact between the Mercadante and the Fondazione Teatro Goldoni of Livorno, sealed in spring 2026 by Artistic Director Savino Zaba and the Municipal Administration in the person of the Deputy Mayor and Commissioner for Culture, Maria Dibisceglia. The piece is signed by New York editor Stephi Wild, under the title: “Photos: Teatro Mercadante and Teatro Goldoni Partner on SOUNDTRACK MASCAGNI”. It is no mere detail. Broadway World does not review provincial seasons. When it does, it is signalling to the American and global theatrical system that something, down there, deserves to be seen. The heart of this recognition is Soundtrack Mascagni: the music that inspired cinema, the cinema that celebrated Mascagni, the co-production chosen as the closing event of the VII edition of the Mascagni Festival. A hybrid work, a concert-reading for narrating voice, ensemble, images and sounds, with dramaturgy and text by Vittorio Giacci, performed by the Artists of the Mascagni Academy and the Orchestra of the Teatro Goldoni di Livorno “Massimo de Bernart” conducted by Maurizio Colasanti. On stage, in the guise of an imaginary Mascagni, as narrator and guide through his own musical universe, the actor-director Maurizio Nichetti. A production, as the Italian notes record, “born from the synergy between the Teatro Mercadante di Cerignola and the Teatro Goldoni di Livorno”, which will see on stage the great actor and director Maurizio Nichetti and the Orchestra of the Goldoni, conducted by Maestro Maurizio Colasanti, with direction entrusted to Marco Voleri and Savino Zaba. What Broadway World has intercepted, moreover, is not merely a production but also a historiographical thesis that at last forces the international literature to catch up. For decades, Anglophone biographies have dismissed Pietro Mascagni’s Apulian decade as “years of poverty and obscurity”: the documentary truth, preserved in the Polo Museale of Piano San Rocco, is of a different temper entirely. In December 1886, on tour with the Maresca company, Mascagni stopped in Cerignola, where the mayor then in office, Commendatore Cannone, invited him to remain to conduct the newly founded philharmonic. The composer would stay, save for brief absences, in the house in Via Assunta until 1895, composing no fewer than five operas: Cavalleria rusticana; L’amico Fritz; I Rantzau; Guglielmo Ratcliff; Silvano. A third of his entire operatic output, written in feverish poverty, in an agricultural town of the Ofantine plain. It was there, in July 1888, that the verses of Cavalleria reached him by postcard from Livorno, sent by his poet friends Giovanni Targioni-Tozzetti and Guido Menasci. There, on 27 May 1889, he completed the autograph. The envelope, that morning, bore the postmark of Cerignola. The world premiere at the Costanzi in Rome, on 17 May 1890 before Queen Margherita, was an earthquake. As Zaba has synthesised it, in a formula destined to endure: “Livorno gave Mascagni to the world. Cerignola inspired him and kept the deepest part of his soul.” In fact, the productive parabola sanctioned by BroadwayWorld is exemplary in the way it overturns the traditional North-South axis of cultural projects. It begins on 23 August at the Mascagni Festival in Livorno with Soundtrack Mascagni. Then its debut in Cerignola, in the course of the Mercadante’s forthcoming season. Indeed, with a date already fixed: “Soundtrack Mascagni” will be presented in Cerignola on 24 October as the opening production of the 2026/2027 theatrical season of the Teatro Mercadante. An idea as simple as it is revolutionary: cinema as a lens through which to re-read Mascagni. The composer plundered by Scorsese and Coppola, cited by Visconti as a tutelary deity, already possessed in his own writing — dense, symphonic, almost edited by cuts — a cinematic vocation. Soundtrack Mascagni does not merely celebrate that filiation; it interrogates it. That BroadwayWorld should have chosen to capture precisely this — a provincial theatre that does not seek hospitality but co-produces as an equal with a historic theatre such as the Goldoni — says much about the shifting of Italy’s cultural axis. No longer a South that imports, but a South that generates archives, that preserves autographs, caricatures, unpublished letters, and restores them to the international circuit. For Cerignola, accustomed to being narrated as a land of wheat and not of music, this arrival on Broadway World is more than a press clipping. It is the certification that its Mascagni story is no longer a local footnote, but a necessary chapter in the history of verismo. And that the Mercadante, from a provincial municipal theatre, has entered in full right the ranks of those Mascagni theatres upon which the whole world now looks, and with admiration.