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Forum for Democracy wrote that the national government has been imposing extra taxes for decades according to the party. Next year, nurses, new entrepreneurs, and small investors would also be heavily affected according to the party. Forum for Democracy called for a smaller government, the cancellation of ideological projects, and significant tax relief. #belasting #kleineoverheid #FVD (translated)

Die Liebe am Ende der Zeit von Amy Tordoff übersetzt von Barbara Ostrop Wir schreiben das Jahr 1605. Seit Beatrix auf dem Sterbebett das ewige Leben gewährt wurde, führt sie ein Dasein in den Schatten. Nacht für Nacht wandert sie durch die Gassen Londons und versucht zu vergessen, dass jeder, den sie einst geliebt hat, seit beinahe hundert Jahren tot ist. Dass Liebe für sie nur eines bedeuten kann: Verlust. Bis sie eines Tages Oliver begegnet. Sie verbringen einen perfekten Tag miteinander, dann verschwindet Oliver spurlos. Hundert Jahre später treffen die beiden erneut aufeinander. Es ist der Beginn einer außergewöhnlichen, die Jahrhunderte umspannenden Liebesgeschichte. Und doch bleibt am Ende die Frage: Kann die Liebe wirklich die Zeit überdauern?

Researchers warn that the flu season of 2026 may start earlier and a strong wave is threatening, as an increase in respiratory diseases and infected individuals in the Northern Hemisphere has already been observed at the beginning of October. #Grippewelle #Atemwegserkrankungen #Impfungen (translated)

NATO Supreme Commander Alexus Grynkewich has presented a new concept for military defense against a possible Russian attack, which aims to defeat a potential aggressor in three steps — blocking, mitigating, and crushing — while defense should begin even before the first shot. #NATO #Sicherheit #Abwehrstrategie (translated)

Before the pipeline process in Hamburg, which begins on October 14, the lawyer of the Ukrainian Serhii K., who is considered the mastermind behind the Nord Stream explosion, expresses concerns about his safety and warns of possible attacks by Russian secret services. #NordStream #PipelineProzess #Sicherheit (translated)

This would be economically illiterate & environmentally disastrous - and makes us less secure: undermining efforts to reduce energy bills by reducing dependence on gas, increasing vulnerability to global dictators, driving climate emissions & knee capping a market that’s just beginning to take off

The autumn wage negotiations for railway workers begin this afternoon because a "crisis agreement" was reached for the metal industry last year, with the union vida raising demands for inflation compensation and real wage increases. #Eisenbahner #Herbstlohnrunde #Kollektivvertrag (translated)

AFRICA DAILY REPORT — 12 OCTOBER 2026 Key developments of past 24 hours 1. DJIBOUTI — Migrant boat disaster: at least 139 dead IMPORTANCE: 10/10 — CRITICAL The IOM reported 139 deaths, 84 people missing and 82 survivors after a boat carrying 305 migrants capsized near Obock while travelling toward Yemen. Search operations and survivor assistance continue. SOURCE (Reuters, 11 October): https://www.reuters.com/world/africa/109-migrants-including-15-children-dead-after-boat-djibouti-yemen-capsizes-un-2026-10-11/ 2. SUDAN–EGYPT BORDER — Airstrike kills at least 13 miners IMPORTANCE: 9/10 — VERY HIGH The Sudan Doctors Network said an airstrike on an artisanal gold mine in the border triangle killed at least 13 miners and wounded 28. The aircraft's operator has not been identified. SOURCE (Associated Press, 11 October): https://apnews.com/article/445367c8aa73005c2ade4b8999b68259 3. ETHIOPIA — Flights resume to Mekelle after federal-allied forces enter city Commercial flights resumed after weeks of interruption. Getachew Reda, an adviser to Prime Minister Abiy Ahmed, pledged changes in Tigray; the region's political and security future remains uncertain. SOURCE (Associated Press, 11 October): https://apnews.com/article/2c6ebeb250cbf98852ab32bf2f36a04a 4. ERITREA–ETHIOPIA — Eritrea seeks UN intervention Eritrea appealed for UN action amid accusations from Ethiopia that Eritrean troops had crossed into Tigray. Eritrea denied the incursion. The conflicting claims have not been independently verified in full. SOURCE (Africanews, 11 October): https://www.africanews.com/2026/10/11/eritrea-uges-united-nations-to-intervene-in-standoff-with-ethiopia/ 5. KENYA — No new Ebola cases after 293 tests IMPORTANCE: 9/10 — VERY HIGH Kenya's health ministry reported no additional infections after 293 tests following a fatal imported Ebola case. Contact tracing and monitoring continue. SOURCE (Reuters, 11 October): https://www.reuters.com/business/healthcare-pharmaceuticals/kenya-finds-no-new-ebola-cases-after-293-tests-2026-10-11/ 6. NAMIBIA — Veterinary fence construction starts to contain foot-and-mouth disease IMPORTANCE: 8/10 — HIGH Namibia began construction of a cordon fence along the Orange River. Officials reported 17 affected farms in the ||Kharas region and expect fence completion within four months. SOURCE (The Namibian, 11 October): https://www.namibian.com.na/fmd-fence-construction-begins-in-kharas/ 7. NIGERIA — Lagos targets 3,000 MW electricity supply by March 2027 IMPORTANCE: 8/10 — HIGH Governor Babajide Sanwo-Olu announced plans to raise Lagos electricity supply from below 1,000 MW to more than 3,000 MW using grid power, independent projects and embedded generation. This is a target, not delivered capacity. SOURCE (Premium Times, 11 October): https://www.premiumtimesng.com/regional/ssouth-west/916178-sanwo-olu-targets-3000mw-electricity-supply-for-lagos-by-march-2027.html 8. UGANDA — Digital-finance fraud losses highlighted IMPORTANCE: 8/10 — HIGH The EastAfrican reported 6,533 financial-fraud cases in January–August 2026, with approximately 23.5 billion Ugandan shillings lost. The findings underline risks to banks and mobile-money users. SOURCE (The EastAfrican, 11 October): https://www.theeastafrican.co.ke/tea/business-tech/how-scammers-are-stealing-from-ugandans-5627280 9. EGYPT–MALAYSIA — Leaders discuss regional security and economic cooperation President Abdel Fattah el-Sisi and Prime Minister Anwar Ibrahim discussed regional conflicts and signed four cooperation memoranda concerning women's empowerment, higher education, tourism and investment. SOURCE (Africanews/AP, 11 October): https://www.africanews.com/2026/10/11/egypt-and-malaysia-discuss-political-settlement-to-middle-east-conflict/ 10. CEUTA / MOROCCO–SPAIN — Police clear migrant beach camp Spanish police cleared the remaining major beach encampment in Ceuta before a royal visit. Migrants were transported to reception centres for processing, while some fled the operation. SOURCE (Africanews/AFP, 11 October): https://www.africanews.com/2026/10/11/spainish-police-clear-last-ceuta-migrant-beach-camp-ahead-of-kings-visit/ #AfricaNews #AfricaDailyNews #AfricaDailyReport #TopNewsOfAfrica #AfricaNews2026 #AfricaOctober2026 #AfricanPolitics #AfricanEconomy #AfricanSecurity #Djibouti #DjiboutiBoatDisaster #DjiboutiMigrantTragedy #139MigrantsDead #Obock #DjiboutiYemenMigration #IOM #MigrationCrisis #HornOfAfrica #Kenya #KenyaEbola #EbolaOutbreak #EbolaTesting #EbolaContactTracing #DRCongo #AfricanPublicHealth #Sudan #SudanEgyptBorder #SudanAirstrike #SudanGoldMineAttack #SudanConflict #Ethiopia #TigrayConflict #Mekelle #EthiopiaEritrea #Eritrea #UNSecurityCouncil #AbiyAhmed #Namibia #FootAndMouthDisease #NamibiaLivestock #OrangeRiver #Nigeria #Lagos #NigeriaElectricity #Lagos3000MW #EnergyInfrastructure #Uganda #DigitalFinanceFraud #MobileMoneyFraud #AfricanCybersecurity #Egypt #Malaysia #EgyptMalaysiaRelations #AbdelFattahElSisi #AnwarIbrahim #InternationalCooperation #Morocco #Spain #Ceuta #MoroccoSpainMigration #MigrantCrisis #HumanitarianCrisis #AfricanGeopolitics #AfricanDevelopment #RegionalSecurity #AfricaToday #AfricaTomorrow #WRLD #WRLDorg

LETTERE MERIDIANE — “TEATRO-EDICOLA” OF SAN SEVERO CONQUERS THE WORLD SOURCE: https://www.letteremeridiane.org/2026/10/il-teatro-edicola-di-san-severo-conquista-il-mondo/?fbclid=IwY2xjawU4oqFleHRuA2FlbQIxMQBwZG9mAXNydGMGYXBwX2lkEDIyMjAzOTE3ODgyMDA4OTIAAR5rVEwYs6UUXg7v-P0SyIQ_DRb_F6ZiY58OcseYoV4J7atcTiERnhWaqKM2pw_aem_Njle1jq1XLzHr93KLBUcVA After “Broadway World”, the “Los Angeles Journal”, “The Psychologist (British Psychological Association)” and Hollywood Beat Magazine, its “academic consecration” has now arrived courtesy of Stanford University. As I have already emphasised in my article on the revival of the GIO Festival in Foggia, celebrated by BroadwayWorld for the world stage premiere of the Giordano’s opera Marina (1888), the province of Foggia has long ceased to be peripheral. It happens when it finds an idea that shifts the coordinates: well, in San Severo, 40 kilometres from Foggia, it has happened again. Only this time an orchestra was not needed; six chairs were enough. The celebrated Teatro-Edicola of San Severo artistic director Francesco Gravino of the theatre company Foyer ’97 has been featured in the academic journal “Stanford Social Innovation Review (SSIR)” as an academic case study. The news, relayed on 19 September 2026 by ANSA Nazionale, looked like a misprint. Then it became clear that it was not. SSIR, an award-winning publication covering multisectoral solutions to global problems, included the project in its Dispatches section with the reportage “The Six-Seat Revolution”. It is the inverse trajectory to that of the GIO Festival: not a forgotten opera returning to a grand historic Italian horseshoe theatre, but an entire theatre reborn inside a disused place, forgotten by man. There are moments when past and future intertwine to create something visionary, innovative, artistically “revolutionary”: San Severo experienced one of those moments on the morning of 27 March 2026, during World Theatre Day, when the shutter of a newsstand closed for six years in Via Matteo Tondi was reopened “not to sell newspapers, but to offer stirring stories”, to quote Gravino’s motto. The idea of the visionary Francesco Gravino, artistic director, stage director and actor of the San Severo company Foyer ’97, active for at least 30 years in Capitanata, centred on the kiosk, hexagonal in metal and glass, granted free of charge by its owner Pino Frau, by now an urban relic created by the publishing crisis of the early 2000s: today in Italy active newsstands have fallen from about 35,000 in 2005 to about 20,000 in 2024, a decline of 42.8%. Gravino and eleven other actors restructured it in two weeks of work, without institutional funding, and transformed it into what is now under examination by the London commission of Guinness World Records as the “world’s smallest theatre”. The formula is deliberately austere: six spectators at a time outside, actors inside at less than a metre’s distance, 15-minute performances, continuous rotation from 11:00 to 20:45, texts ranging from Goldoni to Chekhov, from Ibsen to Dacia Maraini. On the door a QR code with an original theatrical warning: “Warning! This QR code transforms passers-by into actors. Scan only if ready.” The numbers immediately showed that it was no boutade: more than 60 people in a single afternoon, three inaugural days that sold out. But above all a positive echo that went beyond the borders of San Severo. “Broadway World” (just as in the previous case of the GIO Festival), the world’s most influential theatre criticism outlet with over 5.5 million monthly views, devoted exclusive coverage to it on 27 April 2026: “An Abandoned Italian Newsstand Just Became the World’s Smallest Theatre”. Not a mere listing, but an analysis: “There is no foyer, there is no balcony, there is no grid. There is barely a wing. What there is is something almost unrecognisable as an evening at the theatre, and for that very reason it is all the more powerful.” “Broadway World” captured Gravino’s manifesto idea: “This is a theatre of proximity. In an era of digital distance, we are putting human contact back at the centre,” framing it as “More than a clever exercise in site-specific theatre. It is a reappropriation.” All of this, in a Mezzogiorno of Italy often narrated only in terms of organised crime and marginalisation. To that seal of approval was added another, even more disorienting for a newsstand in San Severo: the “Los Angeles Journal”, one of the most influential publications on the West Coast for the performing arts. On 12 May 2026, it headlined thus: “San Severo’s Teatro-Edicola as an Innovative Model for Los Angeles Theaters?” opening as follows: “In a city in southern Italy that Hollywood has never heard of, a theatre director has just built the smallest stage in the world: six seats, fifteen minutes, zero distance. Los Angeles should pay attention.” The “Los Angeles Journal” does not indulge in folklore, but places the kiosk in Via Matteo Tondi alongside the prestigious 1,600-seat Ahmanson Theatre in Los Angeles, the Pantages of Broadway in Hollywood, the 99-seat plan of Rogue Machine, the Odyssey, the Victory Theatre and the Hollywood Fringe. It even recalls Ethan Marks’s Electrical Box Theatre, a veritable electrical box lined with red velvet in downtown Los Angeles, to argue that Gravino has taken to the extreme the question Los Angeles has been asking itself for decades: How small can a stage become before it ceases to be a stage? And it recognizes the San Severo urban model: almost zero cost, two weeks of work and six chairs, in return for immediate provincial, regional and national media coverage, recognition by the San Severo’s Municipal Administration, and a format exportable anywhere. Then, the third American piece came from “Hollywood Beat Magazine” on 20 April 2026: Six seats. Fifteen minutes. One actor. No stage. The magazine recounts the kiosk in Via Tondi left disused for almost six years, the contemporary six-seat cultural outpost, placing Francesco Gravino in a distinguished genealogy: Richard Schechner and environmental theatre, Jerzy Grotowski and poor theatre, Nicolas Bourriaud and relational aesthetics. But it closes with pragmatism: it is not a thesis, it is fixing a street corner, that is, repairing an urban street corner by asking not how large a theatre can become, but how small it must become again to recover its original power. And finally, the celebrated London-based “The Psychologist”, the journal of the “British Psychological Society (BPS)”, the oldest psychological society in the world, transformed the Teatro-Edicola into a scientific case study: on 30 July 2026 it published “The world’s smallest theatre — and Psychologists’ next act”, starting from the same detail, the morning of 27 March when the metal shutter of the hexagonal kiosk in Via Tondi reopened after six years, six people inside, an actor at less than a metre’s distance beginning Chekhov. It describes the formula: six spectators, 15 minutes, 11 actors over 10 hours, from Goldoni to Euripides, inside a kiosk where the fourth wall does not break because architecturally it never existed. But the BPS goes a step further: it cites the 2025 studies by Damien Gabriel in IBRO Neuroscience Reports, that live performance generates measurably stronger emotional and physiological activation than video, and introduces Edward Hall’s proxemics: below one metre is intimate space, reserved for doctors, close friends, lovers. In that one-square-metre space, the actor’s breath is audible, micro-expressions legible, the self-other boundary becomes permeable. The Teatro-Edicola “does not make theatre better, it makes it inevitable”. And it is here that one understands why Stanford is studying it as an academic case study in social innovation, not as a case of artistic originality. In Italy, meanwhile, the national media circuit had already picked up the phenomenon: RaiNews — TG2 Storie brought it to RaiDue at midnight on 19 April. RTL 102.5 devoted space to the format conceived by Gravino and developed by Foyer ’97 in the heart of San Severo in Via Tondi, defining it as a permanent micro-stage capable of bringing theatre into public space. ANSA.it, Gazzetta del Mezzogiorno, La Repubblica, TG2000, Radio Capital, Swiss RSI, ANSA Brazil and many others followed. And for the record: Fiorello praised it in La Pennicanza as an artistic case inspired by his Edicola Fiore, and Biagio Antonacci, on his tour in the Augustan amphitheatre of Lucera, made a “fact-finding” stop at the Teatro-Edicola singing the celebrated and nostalgic Iris in front of an audience certainly larger than the “six seats”. Francesco Gravino’s theatre company Foyer ’97 was not born yesterday: behind it lie the Teatro-Cantina of 2016, the underground theatre, and in 2011 a performance on the bell tower of a church in the centre of San Severo at 45 metres high. The Teatro-Edicola completes, in Gravino’s words, “the entire vertical extension of theatre: underground, street level, rooftop”. And it is preparing for its thirtieth anniversary in 2027 aiming to purchase the kiosk to make it permanent, exporting the “San Severo Model” to Rome, Lucca, and to the festivals of Santarcangelo and Todi. As with the GIO Festival, someone might dare to claim that it is merely a stunt, but when BroadwayWorld places you alongside the Los Angeles Opera House, the “Los Angeles Journa”l proposes you as a model for Hollywood, “Hollywood Beat Magazine” reads you through Grotowski and the “British Psychological Society” uses you to explain mirror neurones, it is no longer a stunt but an excellent artistic and academic positioning. To those who still whisper that Foggia and Capitanata are provincial, the answer is now written on two opposite and complementary fronts: on 5 June in Foggia a 138-year-old opera found the stage again at the Giordano ending up on BroadwayWorld; on 27 March in San Severo a 4-square-metre kiosk invented a stage that did not exist, ending up at Stanford, in Los Angeles, in Hollywood and in London. The periphery, when it has a precise idea, becomes the centre. Even with six chairs. Luciano Magaldi Sardella

In September 2023, Europe experienced the third warmest September since records began, with temperatures 2.51 degrees above the average for the years 1991 to 2020, while unusually dry conditions affected shipping and agriculture. #Klimawandel #Europa #Wetterereignisse (translated)