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The author wrote that it was time to use the momentum to reduce the EU’s dependencies in energy, finance and security, saying it could count only on itself. They called for completing the Single Market and moving from 27 to one under the “One Europe One Market” initiative, and tagged the Delors Institute and #CSFPrishtina2026. #CSFPrishtina2026 https://t.co/HxSv5VAurC #Europa #Economie #Energie #EU

The author warned of a new arms race, saying a major increase in funding for the arms industry was being proposed during a cost-of-living crisis. They called for the triple lock and Irish neutrality to be preserved, and accused Fianna Fáil, Fine Gael and politicians aligned with Lowry of seeking to bring Ireland closer to the US and NATO by scrapping the triple lock. https://t.co/jTF96esBFt #ArmsRace #CostOfLiving #IrishNeutrality #IE #US

The author described Estonia and the UK as close allies, noting that British troops served alongside Estonian forces in Estonia daily. They said upcoming discussions would focus on strengthening defence cooperation, supporting Ukraine and securing lasting peace in Europe. #Londres #Estonia #Defesa #GB #EE #UA

“You cannot preach self-government and liberty to people in a starving land. Only a well-fed, well-housed, well-schooled people can enjoy the blessings of liberty.” — Fiorello La Guardia, former mayor of New York La Guardia was making a simple argument: people cannot fully enjoy liberty if they lack the basic conditions that make independence possible. That should make Danes stop and think. Denmark is not a starving land. We are wealthy, highly educated and protected by one of the world’s most extensive welfare states. And yet, look at the direction of travel. The cost of living and housing have become increasingly burdensome. Educational performance has deteriorated. And more and more decisions about how we live, work, raise our children, run our businesses and spend our own money are made through an ever-growing web of rules and regulations. So perhaps Denmark faces a different version of La Guardia’s warning. The question is no longer simply: Are Danes well-fed, well-housed and well-schooled? It is: Are Danes still being made capable of governing themselves? Because there is a difference between being provided for and being free. A prosperous welfare state can give people security. It can provide housing, education, healthcare and income protection. But it cannot manufacture the habits that liberty requires: independent thought, personal responsibility, courage, competence and a willingness to govern ourselves rather than continually asking the state to govern us. La Guardia warned that you cannot build liberty on hunger. Perhaps Denmark should ask whether security without sufficient independence can preserve it. A free society needs more than citizens who are taken care of. It needs citizens capable of taking responsibility for themselves. That is the real meaning of self-government” - ChatGPT

Respect for the world is not weakness. It is strength. The State Department represents America to the world. Those other flags don’t diminish ours—they represent the countries with which America engages, negotiates, competes and builds alliances. Patriotism isn’t measured by how #Respect #Patriotism #Diplomacy #US

To be a Georgetown professor and an expert on foreign affairs and write a tweet like this… 😞 Respect for the world is not weakness. It is strength. The State Department represents America to the world. Those other flags don’t diminish ours—they represent the countries with #ForeignAffairs #StrengthInDiversity #RespectForAll #US

🇺🇸🐕 FLASH | Un bouledogue français est mort après avoir tenté de protéger ses maîtres lors de l’attaque d’un ours dans le nord de la Californie. Cassie s’est interposée alors que l’animal attaquait le couple, grièvement blessé lors de l’affrontement. Blessée à son tour, la chienne est morte deux jours plus tard. « Au moment où Jeff avait le plus besoin d’elle, ce petit chien s’est courageusement placé entre lui et un ours », témoigne une proche du couple. (The Guardian) #HérosAnimal #Chien #Californie

Solace House by Will Maclean In the summer of 1993, broke student Alex Lane joins a team clearing out Solace House, a Victorian mansion bequeathed to the university by a reclusive hoarder called Flayne. The other students are a mixed bunch, but Alex quickly falls into a close friendship with the lively, redheaded Ella. When the crew begins sorting through piles of junk, they stumble upon Flayne's journals, in which he details his obsession with his missing mother, his discovery of a place called Bewise, and - most mysteriously - his belief in another realm lying parallel to ours, along with coded instructions as to how it might be reached. As the students delve deeper into the house's secrets, one of them becomes obsessed with deciphering Flayne's strange opus and its promise of another world... and they may be willing to sacrifice everything, and everyone, to get there.

As nations from around the world gather for the UN General Assembly in New York, we find ourselves at a critical juncture. War and conflict are raging across the earth, the rules-based international order is under attack, and fundamental values such as gender equality are in https://t.co/pxi4vMU68g #UNGA #InternationalOrder #GenderEquality #Thetweetdoesnotexplicitlymentionanyspecificcountries.Therefore #therearenocountrycodestoreturn.

Delete their chats, monitor ours? 🇪🇺 The EU Commission keeps deleting its messages while pushing for more control online. We Pirates say NO to chat surveillance and mandatory ID checks! More transparency for those in power. More privacy for citizens. 🏴 https://t.co/cV7wRkcYFj #PrivacyMatters #ChatSurveillance #Transparency #EU

💜 | INFORMATIVO - Projeto de Luzes Enquanto seguimos trabalhando internamente em relação aos hand banners, pedimos calma e compreensão. Estamos alinhando tudo para trazer a vocês uma atualização completa assim que possível sobre nossos próximos passos. Enquanto isso, seguem alguns registros da produção realizada pelas voluntárias e voluntários envolvidos no Projeto de Luzes. A produção e preparação dos materiais seguem acontecendo diariamente. Além disso, o B-ARMY360 está auxiliando na compra e no envio de materiais para os voluntários, utilizando recursos da arrecadação da última rifa, que ainda está em andamento. Abaixo, compartilhamos alguns registros desse processo. 🧵 B-ARMY... vai dar tudo certo. Brasileiro é cabeça dura e não desiste fácil. 🙏 #BARMY360 #OurSevenLights #ProjetoDeLuzes #Voluntariado #Solidariedade

The West is changing beyond recognition. We do not have to follow it into a sinkhole. ❌ No war. ❌ No mass migration. ❌ No gender ideology. ❌ No surrender of our Christian heritage. That may be Brussels’ and Tisza’s vision for Hungary. It is not ours. Hungary must chart its https://t.co/EcU0EwuVuP #Hungary #ChristianHeritage #Sovereignty

The Daycare Governance Model Something sinister is lurking behind the curtain of compassion. We have told ourselves that caring for others is the highest good, but there is a pathological side to it that we refuse to acknowledge. There is a phenomenon known as Munchausen syndrome by proxy. It is a form of child abuse in which a caregiver—typically the mother—fabricates or induces illness in someone under her care in order to gain attention or sympathy. The mother is not indifferent to the child’s well-being, and that is the most disturbing part. She is devoted to the child. Around the clock, she visibly tends to the infant’s needs. This is depicted in *The Sixth Sense*. A young boy who can see and speak to the dead is brought to the wake of a girl named Kyra. She leads him to a box containing a videotape. The tape shows Kyra’s mother quietly lacing her daughter’s food with poison, only to play the role of a saint at her bedside for the gathered relatives—absorbing their pity and praise for how selflessly she cared for her dying daughter. The town saw a devoted mother, but the reality was manufactured sickness. We have scaled this pathology up to the level of civilization. The will to care is one of the most powerful drives in women. Properly channeled, it is deeply necessary and virtuous. But as social institutions—therapy, academia, law, NGOs, and bureaucracies—are increasingly comprised of women, this instinct is redirected from individual children, where it can be extremely beneficial, toward society at large, where it becomes disastrous. I call this the daycare governance model. It has only three roles: infants to be protected, or the oppressed; caregivers to administer care, or the dissenters. The caretaking class, or its allies, gains power and influence by managing human suffering. They are rewarded with prestige, funding, and greater authority—all of which increase in proportion to the number of victims under their care. Those incentives resemble the logic of Munchausen syndrome by proxy: increasing the number of sick people under their supervision will, in the end, produce more sick people.

🌖🇺🇸 ANALYSE - Donald Trump ne peut PAS juridiquement faire de la Lune un territoire américain. Les États-Unis ont ratifié en 1967 le Traité de l’espace, dont l’article II interdit explicitement toute appropriation nationale de la Lune, que ce soit par une revendication de souveraineté, une occupation ou "tout autre moyen". Son "THE MOON IS OURS" n’a donc, en l’état, AUCUNE portée juridique et relève d’une déclaration symbolique et politique. Les États-Unis peuvent en revanche explorer la Lune, y mener des missions et exploiter certaines de ses ressources. La législation américaine permet même de posséder et vendre les ressources effectivement extraites, mais cela ne donne pas aux États-Unis la propriété du territoire lunaire lui-même. Les accords Artemis réaffirment d’ailleurs que cette exploitation doit rester conforme au Traité de l’espace. #Espace #Lune #DroitInternational

FG and FF are bringing in the British Royal Navy and the RAF to police Irish sea's and airspace. Ireland should be independent and we should defend ourselves. At the same time the government want to end the Triple Lock. https://t.co/RgxoLobttJ #Ireland #Independence #TripleLock #GB #IE

PORTAL-ANALITIKA.ME publishes the “Edicola Teatro” of Foyer ’97, Founded by Francesco Gravino of San Severo, Puglia, Italy SOURCE: https://www.linkedin.com/pulse/portal-analitikame-publishes-edicola-teatro-foyer-97-sardella-ph-d--6i2of/ The format devised by the Pulgian theatre company Foyer ’97 — already described as “the smallest theatre in the world” — has now reached the international stage through its feature on the global platform Europe Says. A story born from an abandoned news kiosk in the province of Foggia is now crossing every conceivable boundary. It is a genuine pleasure and an honour to share the brilliant idea of the artistic director of Teatro ’97, the distinguished actor and director from San Severo, Francesco Gravino, and his remarkable theatre company, as they gain international visibility with this marvellous and innovative creation: a true “Teatro Edicola”. Source: https://www.portalanalitika.me/clanak/na-drugoj-obali-jadrana-otvoreno-najmanje-pozoriste-na-planeti Only a few square metres, six chairs, and the passion of a theatre company are enough to make history. The Edicola Teatro, conceived by Francesco Gravino, Artistic Director of the historic San Severo-based company Foyer ’97, is receiving significant media recognition, “taking to the stage” of leading national and international outlets thanks to his talented intuition, inspired by Edicola Fiore, the celebrated format created by the Italian entertainment icon Rosario Fiorello. An abandoned kiosk, a record‑breaking theatre It has already been dubbed “the smallest theatre in the world” and, with merely six seats, may well aspire to a Guinness World Record. Since its launch a few days ago, the original venue has drawn hundreds of curious visitors who queued to attend the performances—scheduled every fifteen minutes—inside a former abandoned news kiosk in San Severo, in the province of Foggia. The initiative stems from the distinctive vision of the long‑established San Severo company Foyer ’97, led by Gravino, who sought to celebrate World Theatre Day with an unprecedented experiment that has already been widely reported by national‑level media. The idea, seemingly simple in its striking essentiality, in fact conceals a profound reflection on the nature of theatrical practice. “The idea of the smallest theatre in the world was born from a creative provocation: to return theatre to its most direct essence. Together with the company, we asked ourselves how far the space could be reduced without losing intensity, and the kiosk became the perfect symbol: a place that suddenly transforms into a stage. From a space of news to a space of emotions,” Gravino explained. Foyer ’97 has been active since 1997 and is based in San Severo. Next year it will celebrate its thirtieth anniversary—an occasion approaching at the moment of greatest visibility in its history. The format: sixteen giants of literature in fifteen minutes With only six seats available at a time and performances following one another every fifteen minutes, the audience is quite literally immersed in the work. From 11:00 to 20:45, eleven actors alternate in bringing to life the giants of literature: from Goldoni to Chekhov, via the wit of Gaber and the dramatic force of Euripides. Inside the small theatre carved out of the disused kiosk owned by Mr Pino Grau, there is no traditional separation between stage and auditorium; instead, an intimate encounter takes place in which spectators and actors become, in effect, a single entity. Admission is free, reflecting Gravino’s aim: to restore theatre’s accessibility, returning it to a place that welcomes everyone. At the kiosk’s threshold, a QR code and a cryptic notice encapsulate the spirit of the project: “Warning. This QR code turns passers‑by into actors. Scan only if you are ready.” From the crisis of print media to cultural rebirth The project also carries with it a reflection on urban transformation and the decline of traditional commerce. The kiosk had been unused for around six years and has now been transformed into an intimate and surprising performance space in which less than a metre separates actors from spectators. At a time when kiosks in town and city centres are increasingly converted into drink stands, flower stalls, or souvenir shops, the Edicola Teatro comes closer to the original spirit of knowledge with which such kiosks were conceived—as places for the sale of newspapers and books. It is a symbolic short circuit of remarkable eloquence: a bastion of written culture becoming a bastion of live culture. The idea draws inspiration from Edicola Fiore, Fiorello’s cult programme, which first brought performance into a Roman kiosk. Gravino and his collaborators have also embraced the invitation of Willem Dafoe, the renowned actor and current director of the Theatre Section of the Venice Biennale, regarding the importance of theatre as a force for cohesion among peoples. The Grokipedia entry: a leap to global scale The theatre company Foyer ’97, led by Francesco Gravino, has now been granted its own dedicated encyclopaedic entry, “Teatro Edicola”. This Grokipedia listing represents more than a mere media acknowledgement. Launched in October 2025, Grokipedia is an AI-generated encyclopaedia managed by xAI, the artificial-intelligence research company founded by Musk. The fact that Grok’s knowledge engine has deemed the micro‑theatre worthy of an autonomous encyclopaedic entry—on a par with established cultural institutions—confirms the international resonance of an idea born in a side street of a southern Italian town. The objective is now to export the format beyond the borders of Apulia; with Grokipedia’s recognition, that prospect appears more concrete than ever. The praise of local institutions “We extend our heartfelt congratulations to Franco Gravino and to all the actors and artists for this wonderful initiative,” declared Mayor Lidya Colangelo and Deputy Mayor for Culture Anna Paola Giuliani. The municipal administration has announced its intention to welcome the company to Palazzo Celestini to celebrate the achievement together. Perhaps the most striking aspect has been the audience’s reaction. Many emerged with glistening eyes or with a suspended smile, as though they had experienced something secret. This is the theatre that Francesco Gravino and Foyer ’97 have chosen to pursue: not the theatre that waits for its audience on velvet seats, but the theatre that goes out to find them in the street, surprises them, and transforms them.